About a year ago, on Thursday, March 28, viewers of Baby TV channel witnessed something I shall call "the sophistication of falsehood". It was the instant when my two- and five-year-old cousins, together with countless other children and infants across Europe, found their programme abruptly supplanted by Russian propaganda.
First, the cartoon soundtrack fell silent. Then the picture yielded to the visage of Putin, a Russian flag, animated footage of a bridge under construction, dams, foundries, a train, a church and a map of the nation.
The hacked images were myriad masked faces, stuttering voices, an anthem sung in chorus, flashes and shadows of a counterfeit identity, a portrait of a lost community, an impossible chart of the routes between souls. Every image broadcast in this attack quivered before the mystery, that fleeting moment when we begin to doubt reality itself.
Is this truly happening? I change channels, return, and the images persist. It is a sophistication of falsehood in which, whereas fake news may be challenged by setting fact against fiction, unmasking deepfakes carries a far greater complexity. Henceforth, even when you witness something, do not believe it.
According to the NL Times, this assault is the first on record to tamper with encrypted satellite-television content. In probing what had in fact transpired, I realised that the act ignited another kind of conflict: a hybrid war waged not merely to conquer, but to mould minds, to seed mistrust in the very fabric of reality. The provenance of this incident remains uncertain even a year later, much like so many others that draw us ever deeper into this growing sophistication of deceit.
2025 Rodrigo Gomes
BIOGRAPHY
Faro, 1991. Rodrigo Gomes is an artist and lecturer. He lives and works in Lisbon. His work focuses on how digital techniques and hypermedia technologies filter reality and influence socio-economic aspects of the world.
He has participated in several group exhibitions and festivals in various countries, including China, Serbia, Greece, Italy, the USA, Poland, France, and Portugal.
In 2021, he won the D-Normal/V-Essay Floating Points Award in Hong Kong (CH), the Black Raven Award (PT) in 2020, and the Sonae Media Art Award (PT) in 2017.