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Jardim das Artes e das Letras, in Viseu

UNLEARN: Chain Reaction at Brotéria

...On Thin Ice, by Noé Sendas

Between Your Teeth: From the guts to mermaids

BoCA 2025 kicked off yesterday in Lisbon and Madrid

Round table discussion and launch of Sara Bichão's book Square Root

Do Teatro ao Retrato and Allez Paris, at the Lisbon Municipal Archive

drawing of a long Illuminated house. with annex, by Carlos Nogueira

About the Bienal de Arte Contemporânea da Maia 2025

Prolonging the encounter: Anas by Gäetan

CIRCUL’ARTS: practices, critical and alternative barometers for urban sustainability

Notes on a finished photograph

The cause and chance

Despite everything, we shall continue

BIOGRAF - International Film and Moving Arts Festival kicks off on 27 August in Vila Nova de Cerveira

Finally Home, Lastly Conversation | Espaço Coleção Arte Contemporânea – Lisboa Cultura

Interview with Marta Castelo, author of Umbigo´s monthly cover

Crescent Art: Lunário Perpétuo, at Alfaia

Que Emoção!, at Sociedade Nacional de Belas Artes

Geofilia: Gørvell , Mariana Caló and Francisco Queimadela, at Brotéria

The exercise-works of Pedro O Novo

Exercises in Public Intimacy: Wolfgang Tillmans at the Centre Pompidou

Notes on Lucid Reverie – Panorama of Portuguese Contemporary Art

PARTIDA…, curated by Hugo Dinis at MU.SA - Museu das Artes de Sintra

Medardo Rosso in Kunstmuseum Basel: Illusions of Light, Dialogue with Modernity, and New Horizons for Contemporary Sculpture

Caminhos, at the Museu Nacional de Arte Contemporânea

Jiôn Kiim is the winner of the OpenCall for the UmbigoLAB artistic residency @ Fundação da Casa de Mateus

The suspense of gesture: Troianas, by Renata Portas

Interview with Chrissie Iles

Family Portrait, by Dave and Tony

On the road: Berlin

Da Dobra que Chama e Traz - Works on Paper from the Figueiredo Ribeiro Collection

History through Art: Serviço de Apoio Ambulatório Local, at Museu Municipal de Tavira

Chantal Akerman. Travelling at MAC/CCB

Interview with Rudolfo Quintas, Umbigo´s cover of the month

Ensemble DME, at the Postgraduate Week in Applied Music Composition

Encontro Semeadores: a journey through Macaronesia

Umbigo #93 - Regeneration

The Branches of Life: Vivenciar at 3+1 Arte Contemporânea

The Art World, at Basel Art Week. Which world do we seek?

In the Mouth of a Flowering Ghost at Figura Avulsa

Hidden Aegis: Thomas Braida in Rome

Life and other forms

Torcer, Amarrar e Pender: An Articulated Narrative

Mixed media on paper #10 - The strawberries of the saison

Sex and Solitude by Tracey Emin: Radical Womanhood and Shared Viscerality

Mute Track, by Bianca Hlywa

Sara Chang Yan na Brotéria

Douro: Geografia Líquida, at Expo Osaka 2025

The Condominium and other forms

The new Julião Sarmento Pavilion

Writing Her Own Story

Lâmina da Lua: ritual as resistance

Pós-Museu: “A” de Ausência, at the National Museum of Ethnology

"Fim do Mundo" Festival in São Tomé and Príncipe

Improvisation in 10 Days by Tarek Atoui: Polyphonic encounters as sonic resistance

‘Somos Todos Capitães’

Bands of Mercy, de Elisa Pône

Held in tension: Anatomy of the machine-body

A Fábrica das Sombras

Identity as collaboration: marginal echoes in the work of Susan Hiller

UmbigoLAB Call: Art residency UmbigoLAB @ Casa de Mateus Foundation

A fish's preferred angle (and other hypotheses for designing interspecies worlds)

Depth of Field by Mónica de Miranda and Deep Scarlet, Scream Ruby by Pauline Curnier Jardin, at the Galeria Municipal do Porto

Forma Primeira, by Francisco Pedro Oliveira

Loop Lab Busan: South Korea's new video art festival

Aldebaran Caída Por Terra, by Adriana Molder

After Smoke and Mirrors, at Centro de Arte Oliva

UMBRA, by Hugo Canoilas

Interview with Dalila Gonçalves, Umbigo´s cover of the month

The new Umbigo.space

Mounira Al Solh, at Fundação de Serralves

Malleable Now

Vital and Virtual Energy at Tejo Central

Para Todos Vocês com Fantasias, by Diogo Nogueira

Interview with Vera Appleton: 18 Years of Appleton

A ‘snap’ to recover the future: the fourteenth Mercosul Biennial

Salon/Ensaio – Art in Intimacy

All eternity to be non-existent

Coisa Comum, by Hélder Folgado

Various Others 2025, a travelogue

On the road: Porta 33, Village School, Francisco Janes, and Chain Reaction

Does the potato dance?

Transtemporality of the gesture: Diálogos Sensíveis, by Pedro Chorão

Umbigo in Brussels: brief notes on Art Brussels

Como silenciar o canto dos pássaros, by Paulo Lisboa

Um Silabário por Reconstruir, at CACC and Sala da Cidade

Uivo, at Festival Transborda

Salaris – Ficções a Partir do Sal, by Maura Grimaldi, Natália Loyola and Victor Gonçalves

Landscape: view and panorama, at Fundação PLMJ

All these, your name: Ra, by Rui Toscano

Three Colours: Flesh by Evy Jokhova at 3+1 Arte Contemporânea

A casa da colecionadora, by Carla Filipe

Jardim do Império, by Délio Jasse

Applications open for the AiR 351 grants

The moment right before everything: Incipit by José António Quintanilha

Inauguration of MACAM, the new Museu de Arte Contemporânea Armando Martins, in Lisbon

Caipiras: das derrubadas à saudade, at the Pinacoteca de São Paulo

Reopen, revisit, reuse, rethink and repair: the politics of the “R” in four exhibitions at Fundação Eugénio de Almeida

Perpétua, by Sérgio Carronha

Tablets of Stone in Conversation Pieces, by Ana Jotta and Jorge Nesbitt

The Deepest Skin

On expanding time: Nuno Sousa Vieira and Dayana Lucas at Appleton

Voice aflame, voice submerged: Julianknxx, Tristany Mundu, Diana Policarpo and Francisca Rocha Gonçalves in chorus at CAM

Munich Jewellery Week, the tradition that keeps growing

Interview with Ali Kazma – A truth I could live with

Mixed media on paper #9: The silence of the bee and Morandi

Canções para um burro morto, by Mauro Cerqueira

Julia Pereira’s residence at LUZ_AIR Lisbon

Memória Colateral: Uriel Orlow at Galeria Avenida da Índia

Contrafogos, from 21 to 24 April, at Teatro São Luiz

How heavy is a city? – Lisbon Architecture Triennale

For Every Last Thing, by Catarina Dias

Chão, at the José de Guimarães International Arts Centre

Oh, Si Os Pudiera Escuchar, by Pol Taburet: unfolding an arcane tension

Bola de Cristal, by Miguel Ângelo Marques

Umbigo #92

Nampula Macua Socialismo, by Manuel Santos Maia

4th edition of the Immersive Festival, from 20th to 23rd March, at Lisboa Incomum

The scents of the hazy crystal

Meriem Bennani’s For My Best Family: an allegory of affection

Tempo Dobrado by José Maçãs de Carvalho at Casa-Museu Bissaya Barreto

Fragility and Resilience: Nuts on Ice by ML Kirchner

Paula Parisot presents her first solo exhibition in Portugal

Interview with Dave and Tony, now on Umbigo’s cover of the month

Celebrate Jorge Santos – In Memory of a Friend

Vanishing points of a common gaze. Or common points of a vanishing gaze?

Pacto

Paula Rego (1935-2022)

El Lenguage de las cosas mudas, at the Museo de Arte Contemporánea de Vigo

Dear Maurício

The Game as a Purge

Madrid: a brief itinerary departing from ARCO

Ritmos y Poemas, by Lou Vives

Kim Gordon – Object of Projection

Pedra e Vento, by Tiago Baptista and Mariana Gomes

Field trip to Quinta do Quetzal: an “exhibition of affections”, by Pedro Canoilas.

Para além do Espaço e do Tempo – No Sétimo Continente, at the Faculty of Arts, University of Coimbra

On the Serpent Ritual at the Bienal de Fotografia de Vila Franca de Xira 24

Emguarda, by Edgar Massul

For the first time at night in the open

A museum devoted to ceramics, Fundação Albuquerque opens its doors in Sintra

Ergo Forte, by Martinho da Costa, at (A)Space

Harmony Korine and his pictorial frames

Flaming Loneliness, by Lutz Braun

UmbigoLAB @ ArtWorks No Entulho: Entrevista a Sofia Mascate

Pedra que pariu, by Rita Senra

In the Frailty of That Which Persists

Aqui e em Todo o Lado, by José Pedro Cortes

Cinzento/Grey/Gris, at Galeria Vera Cortês

Steadfast love. So sweet it’s comforting

Interview with Mariana Maia Rocha, Umbigo’s cover of the month

The rigour of every jest

A handful of time: YEPSEN(S) at Kubik Gallery

Bem-vindo à terra da alegria, by João Marques

Solve et Coagvla at Sá da Costa

Between performance and site-specific: Perdícia at Alfaia Association

Blind spots or the principle of the seeming deterioration of memory: Diogo Costa at Galeria Sete

Gulbenkian announces Grants for Artistic Creation

António Neves Nobre’s Laboratório de Próteses [prosthetics laboratory]

Celeiro Air welcomes Pedro Valdez Cardoso and Vítor Serrano for a residency leading up to the Playlist exhibition at Casa d’Avenida in Setúbal

Ravaged Arcadia

Applications are open for the first MAC/CCB – Architecture Centre grants

Candidaturas abertas para a 3.ª edição do IN COLORS PROJECT

Linha d’Água by Miguel Palma at MAR – Museu da Água e Resíduos

Um corpo no mundo, by Juliana Matsumura

Talking to Maria Marques Moderno, now on Umbigo’s Cover of the Month

Alexandre Estrela’s A Natureza Aborrece o Monstro at Culturgest

um gesto, todos os desenhos: Drawing as Thought

Sketch for a museum: 3, Melissa Rodrigues

The Vila Franca de Xira Photography Biennial 24

Diana Policarpo and Jumana Manna symbiotically at Rialto6: to extract, to explore, to conserve, to extinguish

Goin’ Home by Noé Sendas at Brotéria

Arte Povera at the Bourse de Commerce of Paris

Solombra: Luísa Jacinto at Galeria Quadrado Azul, in Porto

To contort in order to be or to become

Umbigo #91

Endless sun by Hugo de Almeida Pinho – Part II: Capital Blindness at Carpintarias de São Lázaro

Endless sun by Hugo de Almeida Pinho – Part I: the cinematic sunrise at gnration

Like dust on glass

Olafur Eliasson presents a poetic undertow flowing into the Bosphorus at Istanbul Modern

Mixed media on paper #8: The bread of Salvador

Open Call: CHAIN REACTION

Ana Vieira: Cadernos de montagem at Centro de Arte de Oliva

Não Faz Mal by Manon Harrois at Galeria Foco

My Pleasure by Joana Villaverde at Galerias Municipais de Lisboa – Pavilhão Branco

Interview with Flávia Vieira, now on Umbigo’s cover of the month

1st Conference of the Portuguese Contemporary Art Network (RPAC) takes place this Thursday

Nesta ilha, nesta escola by Francisco Janes at Escola da Vila do Porto Santo, PORTA 33

Inaugural programme of MICAS, Malta’s first contemporary art museum, with Joana Vasconcelos, Ray Pitre, Milton Avery and more

Irving Penn’s forest of dreams – on Centennial

Pulso de Seda by Ana Manso e Rudi Brito

Synesthesias in Appleton: interiority (transcendental), reciprocity (musical) and friendship (informal)

When blackberries were white

António Carneiro: O Voo da Águia at Museu do Porto – Ateliê António Carneiro

Walk&Talk – A Biennial of Abundant Affections and Meaningful Gestures

IV Capítulos at Fundação Carmona e Costa

Cartographic affinities at MAC/CCB

Mixed media on paper #7 – Le goût de la… butter!

Synthetic reflexes

Surface Disorder by Jonathan Uliel Saldanha, Electric Jungle Fever by Vivian Caccuri and As in heaven, so on earth by Rita Caldo at Galeria Municipal do Porto

Dança do Labirinto: A sensory immersion

CAPC echoes Eugénio de Andrade’s verses in a collective exhibition

Police dog / Stray dog: Miguel Marquês at Serralves

A love-work for every year

Two decades of MADEIRADiG: another edition of the electronic and experimental music festival kicks off on 28 November

Acloc O’clock — Who’s afraid of the Big Bad Wolf?

Flores by Nicola Samorì

Preliminary copies, follow-up models

Chelas: Nha Casa Nha Bairro

Triunfo: Jorge das Neves at the School of Arts of the University of Coimbra

P’LA ARTE Market, at Marvila, on November 9

Interview with João Mourão and Luís Silva, curators of the first exhibition of the Vasco Santos Collection

6th edition of Lisbon Art Weekend kicks off on 7th November

A tribute to Lawrence Weiner

Benefit auction: artists for the climate

Amadora BD — Fiction, Fantasy and Imagination are part of the Revolution

Some remarks on First Step, at Bigger Splash

Vasco Araújo’s Ritornare at Galeria Francisco Fino

Black Ancient Futures, William Klein and Catarina Dias at MAAT

One is not born, but becomes Portuguese: We’ll be right back at Kunstraum Botschaft

Cão no Couro, by Bárbara Rosário, at Casa Azul: the roughness and strangeness of the surfaces that denounce those of the depths

The future is hand-woven: Contextile 2024 – Contemporary Textile Art Biennial

Da Natureza das Figuras, a collaboration between Fundação PLMJ and CCP

Mixed media on paper #6 – Itineraries and stops

7th Drawing Room Lisbon, from 23 to 27 October, at the Sociedade Nacional de Belas Artes

All the Animals at Capela Boa Viagem: ceci n’est pas une chapelle, cette chapelle n’est pas une arche pour Noé

Stitch Me Back Together Again: Água De Matar Passarinho, Thomas Szott at Duplex Air

Interlúdio by Martîm at AMAC Gallery

Open Call – Art, Freedom and Democracy Prize

Carlos Nogueira in Brotéria: ‘adding iron and glass to stone’.

Saga by Bernardo Simões Correia at Sismógrafo

The tearful orchard

MEL in the EARLYMADE Cedofeita space

Sofia Mascate wins UmbigoLAB x Artworks – No Entulho

The finalists in the Young Artists category for the Norberto Fernandes Prize

Umbigo #90

Apertura Madrid Gallery Weekend 2024

Fertile Futures, the exhibition that represented Portugal at the Venice Architecture Biennale in 2023, comes to the Azores

Manifesta 15: what can a biennial achieve?

An Ontology of Friend Possibilities – and, and, and and.

Acervo da Laje – memory is an emotion

Casa Vale Ferreira: João Pedro Vale + Nuno Alexandre Ferreira at Casa do Museu de Serralves

Por quanto tempo mais terei que nadar? “Contemplating needs particular circumstances, particular states of mind”

Jardins do Bombarda, a new meeting place for thought and action in the city of Lisbon

Regenerating landscapes

Perceived collision

Afinidades na Joalharia Contemporânea at Museu Nacional Soares dos Reis

RANDOM by AZAN contemporary art

Cosmunidades – Ciclos de Arte at PENHA SCO until 7 December

Various Others Munich 2024. On what makes us human: why are you (not) crying?

Inaugural edition of the Lisbon Art Book Fair – Lab comes to MAC/CCB on 21 and 22 September

XXIII Cerveira International Art Biennial

It reminds me of…

Mixed media on paper #5 – The soothing silence

Brotéria wins Gulbenkian Heritage Prize 2024

Cravos e Veludo at National Museum of Contemporary Art of Chiado (MNAC)

Júlia Ventura at Culturgest Lisbon

Interview with Pedro Sequeira, now on Umbigo’s cover of the month

Luís Palma’s Vinte e cinco palavras ou menos at Museu Municipal de Faro

David Hockney reasserts the figurative pictorial tradition in dialogue with Piero della Francesca

Lightless (Quando não há luz): Sara Bichão at Museu de Serralves

Um Labirinto de Passos Intermináveis by Alexandra Ferreira at Solar dos Zagallos

The swirling point of surprise: Restos, Rastros e Traços by João Fiadeiro at MAC/CCB

The technosphere, according to Rodrigo Gomes

Imaginário Coletivo: CACE in Aveiro

Enciclopédia Negra

Interview with Francisco Huichaqueo, a Mapuche artist, curator and filmmaker

Stockholm’s Moderna Museet has been remodelled into a seven-bedroom with a garden

Rémiges Cansadas: Samuel Silva is an ornithologist listening to Daniel Faria’s poetry

Mixed media on paper #4 – Pillows? Yes, please.

Deadline for submissions extended: UmbigoLAB @ ArtWorks No Entulho until 15 September

Elective Affinities

3+1= 4 Artists think on Time, Space, Feeling and Recognition

I could paint any other flower

Coimbra’s CAV presents António Palolo to the new Portuguese generations

Mixed media on paper #3 – Two for one sur l’herbe

Madrugada: Sunrise or Sunset of Democracy?

FARRA – Festa da Arte em Rede da Região do Alentejo

Mutantes e Portugal Ano Zero: livros de fotografia da revolução – Two group exhibitions at Centro de Arte Oliva

Yet another title for contemporaneity

Caring for and thawing discourses

Can the subaltern be represented?: Panmela Castro at Galeria Francisco Fino

Insomnia, by José Luís Neto and the users of Centro de Apoio Social de Pisão

Ultimately, what is an oxymoron?

Sketch for a museum: 2, Nástio Mosquito

Submissions open for the LOEWE FOUNDATION 2025 Craft Prize, awarded at the Thyssen-Bornemisza National Museum in Madrid next spring

The 8th edition of the Dar a ouvir Festival: The Sound of All Things, in Coimbra

Kaleidoscope at CABANAmad

Umbigo presentation at the finissage of CYFEST 15: Vulnerability – August 28, 6 p.m., at CREA – Cantieri del Contemporaneo in Venice

The tarnished drop

Do you like my vagina dentata? Elizabeth Prentis, Skewer

Mixed media on paper #2 – The sensuality of two lemons

María Galindo presents in Lisbon her film “Revolución Puta” screened at the Venice Biennale

Observatório dos Rios in Torres Vedras – the performative and poetic journey of the Guarda Rios collective through Torres Vedras’ hydrogeography

A Moeda Viva [Living Currency] at Galerias Municipais de Lisboa – Galeria Quadrum

forms of the surrounding futures

Modelled and modular drawings – Terracotta(s) at the Camões Library

Ernesto Neto’s “batucada” at MAAT

The Centre Cannot Hold at Monitor Rome

”The shaft swallowed men by mouthfuls”: on the exhibition-video installation “…depois de pulsar mais uma vez com os sentidos todos a terra em redondo”, by Paulo Mendes

Clay cradle

Mixed media on paper #1 – The nostalgic painting of O Estádio

Homecoming: Yoshitomo Nara at the Guggenheim Museum Bilbao

Map of affections

Teresa Milheiro’s retrospective “1984”: Rebellion on the battlefield of the body

The forest edges by Pedro Vaz and Lorena Solís Bravo

Interview with Rui Brito, as part of the 60th anniversary of Galeria 111

Meet the finalists of the 15th EDP Foundation New Artists Award

The submerged bodies of Luísa Jacinto and Nicolas Floc’h

Walk&Talk 2011-2022: what you don’t know is worth discovering – Interview with Jesse James and Miguel Mesquita

Explicit Instructions for Implicit Lives — Joanna Piotrowska at Galeria Madragoa

UmbigoLAB Call: ArtWorks No Entulho artist residency

Canhoto As Zurdo, at Kindred Spirit Projects

Learning to Unlearn is the theme of the 11th edition of the Arquiteturas Film Festival

Eu Estou Aqui by Leylâ Gediz, Luisa Cunha and Raija Malka at 119 Marvila Studios

The lightness of being Pedro Cabrita Reis

Open call for Affective Ecologies: an Artist Residency an Artistic Residency in the contemporary relevance of Amílcar Cabral’s thought

Extinção. Cristina Lamas at Brotéria

Alexandre Baptista’s Landscapes at Galeria Sete

Fernão Cruz and Rita Ferreira at Rialto6

Uni Verso Plural, Irene Buarque at Fundação Carmona e Costa

It can break down

Release the chicken!, Eugénia Mussa at Monitor

Julius Heinemann’s Essay at Jahn und Jahn

Night with legs at Sociedade Nacional de Belas Artes

desde los azules, at Kunsthalle Lissabon

Mystery, tension and pleasure: Italian Enzo Cucchi’s exhibition at Culturgest

Porto Summer School on Art & Cinema 2024 – It Wasn’t Cabral

Ressintonização Afetiva by Catarina Mil-Homens at Appleton

Vaivém by Francisca Pinto at OSTRA

Interview with Luísa Salvador, now on Umbigo’s cover of the month

Inês Moura’s Entre Manhãs at Casa Museu Bissaya Barreto

Algaravia

Pure Visual Joy at Santuário Galleria

Arquivo ou Caleidoscópio? by Nuno Nunes-Ferreira at Fundação Vasco Vieira de Almeida

The art of loving for the sake of art

The legacy of Emily Wardill’s memory

Marina Tabassum. Materials, Movements and Architecture in Bangladesh

A Vaidade Praga-me by Isabel Cordovil at Galeria Municipal de Almada

O Infinito na Caixa by Suzana Queiroga at Galeria Bessa Pereira

Andrés Anza wins the Loewe Foundation Craft Prize 2024

Casas by Patrícia Garrido at Sociedade Nacional de Belas Artes

Between memory, healing and the archive: VIDEOLOGIAS II – ANARCHIVAL FRAMES

Applications open for the Affinities project – Contemporary Jewellery

The important thing is to do it: Délio Jasse at Pavilhão Branco

Rui Sanches, algumas obras at Galeria Municipal Trem – Manuel Baptista

Cooperativa dos Pedreiros: José Pedro Croft at Galeria Nuno Centeno

Eyes on You: Maria Peixoto Martins and the non-limits of photography

There’s always room for cake

Pedro Calapez’s Enquanto o espaço for at Galeria Fernando Santos

On the occasion of the INDEX Biennial of Art and Technology, Umbigo travelled to Braga to talk to its curators

April at RAMA – Artist Residencies

Interview with the Guarda Rios Collective, about Observatório dos Rios

Resilient Gardens, by Marisa Benjamim

Memory is not an endangered species: Abril Vermelho at CAV and the 50th anniversary of the Carnation Revolution

Soundwalk Collective and Patti Smith: compass notes

From Josèfa Ntjam to Daniel Arsham, different natures at Fotografiska New York

Meet the finalists of the Norberto Fernandes Prize | Altice Foundation

The 2nd Art and Technology Biennial INDEX, from 9th to 19th May, in Braga

(+) Dialogue #23: Pedro Cabrita Paiva x Assembleia da República [Portuguese National Assembly]

Luisa Cunha’s Bodyphony to Fulfill Freedom – Pronomes Pessoais, uma Obra em Seis Partes

Pedro Vaz’s Azimute at Casa Azul – between the landscape we are in and the one we are inside

Rien ne va plus: Jorge Nesbitt and Vasco Futscher at Brotéria

On Flor Cadáver by Francisco Trêpa

It happened in Venice: the 60th Biennale is making headlines (and buzzing) like crazy

How do I break what they have turned me into?

Kapelism as a means of collective resistance: ETC – Extraction | Trade | Cashtration, by Yonamine

Infantário Revolucionário [Revolutionary Kindergarten]

The surreal shadow of history at the fifth Coimbra Biennial

Eerie Spirits

Pedro Henriques and José Loureiro one on one: accumulating realities, learning metaphors and pressing buttons

Hong Kong: the Asian dragon is still breathing fire

Espanto: The Norlinda and José Lima Collection in Dialogue with the Museum of Natural History and Science of the University of Porto at Casa Comum

Borders – if there are any – are of glass in Herbário – Locus Amoenus

Em frente da porta do lado de fora, Pedro Paiva at Galeria Francisco Fino

Free Roam at Kunstraum Botschaft in Berlim

2nd edition of the Futuros da Liberdade Festival kicks off on 18 April in Lisbon

Interview with Mariana Viegas, now on Umbigo’s cover of the month

O sentido da vida é só cantar: Orfismos, Urdiduras, Sortilégios e Lances de dados, with Nuno Faria

Matter of Kinship: AnneMarie Maes about Biophilia at Casa de Mateus Foundation. Launch of catalogue and Umbigo #88

Applications open for the new edition of the FLAD Drawing Prize

Non-Orientable Surfaces at Centro Cultural Vila Flor

Applications open for the 15th edition of the EDP Foundation New Artists Award

Body, remember not only how much you were loved

Preenchendo Vazios by Dozie Kanu at Lumiar Cité

Sketch for a museum: 1, Mónica de Miranda

There are Stones in (your) Eyes, in Mine Flow Tears from the Waters of March

Memories of Democracy

Interview with curator Bruno Marchand

Menstruum by Ana Manso at Pedro Cera Gallery

Art meets tech: creative workshops for a digital future – Web3Expressão at Goethe-Institut Lisbon

Between oceans, the flows of ARCOmadrid 2024

A new biennial for Europe: the 1st edition of maltabiennale.art kicks off

More than party music, a cry of boldness and freedom. The FUNK exhibition at the Museum of Arte of Rio de Janeiro

Hierophanies: between the political and the immaterial, resisting and reconnecting through the gaze

Iberian pride: a Madrileño tour

The biennale of all differences

A new generation of Goan artists is still looking for its identity and place in the world

Maja Escher’s earth-coloured magic

A Corda Mor

Precárias: The 2024 Edition of the Performance Festival – An Interview with Tita Maravilha, artistic director of the Precárias Festival

Canil: Henrique Biatto at Belo Campo

Osso Colectivo + Júlio Pomar: O Tom do Pomar (Invasor Abstrato #7)

No retrovisor at College of Arts of the University of Coimbra, XXVI Cultural Week of the University of Coimbra

Estrela-lágrima, by Inês Brites

California Dreamin’ by João Fonte Santa at Stolen Books

Is it a light at the end of the tunnel, or is it an oncoming train? — Midlife Crisis at Francisco Correia’s Cosmos

Half Empty: Diogo Gama and Eduardo Fonseca e Silva at Buraco

Diana Cerezino: The Blue Hour

The ambiguity of the sacred in Netsuke, by Albano Silva Pereira, at Pavilhão Branco

Art as a suturing place: Catharsis by Filipe Cortez at NO.NO

Rosas, by Lea Managil

Trouble in Paradise by João Bragança Gil

What is home without a mother – I mean, an other?

Uma cerveja no inferno at Galeria Graça Brandão

Expurgar Papel: Reconstruindo Narrativas do Colonialismo by Carla Filipe at School of Artes of UCP

Tokyo Reels, a special film night in solidarity with Palestine

Lullabies and percussion at Appleton

One Second Plan: Teresa Murta at Bruno Múrias Gallery

Gonçalo Preto: under the light of a slow-burning blue flame

Sempre e nunca mais, MACE

Percepções e Movimentos: group exhibition at Galeria Presença

Queerness in Two Faces Have I

By way of Life – Waiting Around to Die, by Henrique Pavão

Creator and creature, André Cepeda and Double Jeu

The Museum Is a School – Reflections and connections based on the exhibition And so it was, and flew away: programme for 1 March

Babuíno Talismã by Daniela Ângelo at Galeria da Boavista

(This) Non Linear Beat by Inês Norton at Forum Arte Braga

Fertile Futures: Itinerant Laboratory, the official Portuguese representation at the 18th International Architecture Exhibition – La Biennale di Venezia 2023, at Lisbon’s Palácio Sinel de Cordes

It was not Cabral: reviewing silences and omissions

Artists’ collective donates more than 100 works of art “With <3 to Palestine"

Interview with Nicolá Paris, now on Umbigo’s cover of the month

Dayanita Singh: Dancing with my Camera at Serralves

Tronos Tombados, Novos Colonos: Toy Boy’s reflection on the enduring mind colonisation in Angola

The Skin of the Earth at Coletivo Amarelo

Sérgio’s Whistling: prelude to Desenhar A Resistência

URDI: An affectionate event

Cardinal Virtue: Faisal Abdu’Allah revisits Plato’s virtues

Visitante Ocasional at Coimbra Contemporary Art Centre

Regarding the improper inclusion of a sculpture by Rui Chafes in the project “History with Voice”

A Dialogue with a Smile: Michael Dean’s Unfucking Titled (fuck) (2021)

When (X) is no more than an Epic of itself: João Ferro Martins at 3+1 Arte Contemporânea

– “C’est quoi cette danse?” ­­– Cette danse.

Reference in hyperrealism Ron Mueck arrives in Milan

Stringing the disconnection at Salgadeiras Gallery

O Cerco de Lisboa at Lisboa Municipal Archive | Photography

Altice Portugal Foundation launches Norberto Fernandes Prize for contemporary art

Vigilant Deliveries

The Bedroom Series, Martîm

Thank you, Maria da Graça Carmona e Costa

Matter archived. By Kapwani Kiwanga, at the Serralves Museum

Fertile Futures: Laboratório em Itinerância – the exhibition of the Portuguese Representation at the 18th Venice Architecture Biennale opens in Lisbon

The Sylvan and Harsh North at Galeria Municipal do Porto

Between night and mathematics: Thomas Braida at Monitor

Traumatized places on an injured planet: a conversation between Alice Miceli and Michael Marder

The beautiful duty of watching over death – about INSONE (INSOMNIAC) by Fernão Cruz

Interview with Júlia Lema Barros, now on Umbigo’s cover of the month

The Colosso triad

The Landscape Voices at the Faculty of Fine Arts of the University of Porto

Rita Ferreira’s non-repeating reproduction

Pela Parede Dentro by Pedro Pousada at Banco das Artes Galeria

Álvaro Siza Vieira in expansion, at Serralves

Alguém, ninguém by Pedro Pousada at Pedro Oliveira Gallery

This is not a poem, but it is a love story. 20 years of Adorna

Notes on Perception: Xavier Ovídio and his reflection on what is oftentimes unconsidered

FRESH BREEZE – A selection of works from the Portuguese State Contemporary Art Collection in Berlin

Black jell-O birthday party: António Olaio at NO.NO

Two Feet by Six Feet, by Hans Schabus

Arte Box in the Bag

The forms of nature

Pensar-imaginar a água a partir de uma ultraperiferia: O desejo ativo de futuros férteis, justos e sustentáveis

Carolina Vieira’s Pedra Sol at Porta33

tu & eu: Susana Mendes Silva and guest artists at Cine-Teatro Garrett, Póvoa de Varzim

R!™0: Pedro Tudela at Museu Internacional de Escultura Contemporânea de Santo Tirso

Nas costas do viajante de Caspar Friedrich and Motel Coimbra #6 at the College of Arts of the University of Coimbra

If I believed in astrology: You don’t invite 13 to dinner and other superstitions at the Dialogue Gallery

LUNOTICS: João Henriques’ photo-graphic and political-lunatic installation at Casa Azul

Cycloptic: Paulo Lisboa at MAAT

”Passagem” by Mariana Viegas and Festa da Escola da Vila – Porta 33 bring art and the community together on the island of Porto Santo

Interview with Henrique Tavares Ferreira, now on Umbigo’s cover of the month

Fragments of Pomar

Fornada by Ana Vidigal and Luís Rocha at Galeria Buraco

Miguel Soares and the torque of metaphysics on reality: Chance Meeting at Rialto6

Fora de Registro

A Revolução na Noite, curated by Ana Anacleto at Centro de Arte Oliva

S.Ó.S and Salto Longe by Quorum Ballet

The new Museum of Contemporary Art – MAC/CCB

The World, a Planetary Garden: Eles falam em Arco-íris at Círculo de Artes Plásticas de Coimbra

Umbigo interviews multi-award-winning sculptor Tony Cragg

Encontros Imediatos de Segundo Grau at Galerias Municipais de Lisboa

The Mouth of Krishna by Albarrán Cabrera at Galeria In The Pink

How can we talk about death if we haven’t died yet: A Vida Imóvel at Quinta da Ribafria in Sintra

Zonas de Transição: works by Fundação PLMJ at Cordoaria Nacional

Berlin, an unfinished chronicle

Listening as an act of radical ecological care

Rodrigo Oliveira at Galeria Diferença

Álbum de Família – like a landscape, listening to the beat of your own home

When water is the ultimate metaphor: Carlos Nogueira at Palácio dos Anjos

Onomatopoeia, alliteration and other sounds

Museum of Gentrification, by Nikolai Nekh at Balcony

The 2023 Jov’Arte Biennial and Portuguese-style melancholy

Grand beginnings, small deaths: Taking the light out of the prism and 4 years of Duplex

João Onofre between the falcon’s cry and the siren’s song

Interview with Leka Mendes, now on Umbigo’s cover of the month

O Animal e as Roupas by Daniel Melim at Monitor gallery

Tenants of a Ruined World: Interview with Ticiano Rottenstein, the artist responsible for the work Arrenda-se T0 (Rent a T0)

Litoral, Literal, Lutoral: Gabriela Albuquerque and Chico Diaz at Coletivo Amarelo

The 2023 Prémio Arte Jovem nominees

When God hates you, what do you do?

A Forma em Formação at Brotéria

The cultural firestorm sparked by Dulce D’Agro: 50 years of Galeria Quadrum

Febre: António Júlio Duarte at Museu de Arte Contemporânea de Serralves

Speculation, futurology, accounting and the drugstore at Arbag

A cultural ecosystem named sertão [backlands] from a Biennale that “educates the landscape”

Portraits for English to see at the The Africa Centre

Drawing Room Lisboa 2023: Interview with Mónica Álvarez Careaga

Blue Angel by Miguel Branco at Galeria Pedro Cera

Not being anymore – the exhibition intitled ALBO, by Rui Aleixo, at Casa Azul

There are no vanishing points in poetry (and in life): João Motta Guedes at Galeria NAVE

Weaving as a support for a contemporary discourse

The House and other forms

Applications open for the 2024 Loewe Foundation Craft Prize

Interview with Elizabeth Prentis, now on Umbigo’s cover of the month

Water, desire and imagination: the first Amazon Biennial

Interview with John Romão, artistic director of BoCA Bienal

Ar(chitec)tivism

Decentralising Funds for Culture @ RAMPA

Samuel Silva: Portelos, Cancelas e Biqueiros @ CAAC

Apertura Madrid Gallery Weekend 2023

Portreto de la Animo: Museu Nacional Soares dos Reis

Fenda

Toad on the Moon by Hugo Brazão, at Galeria da Casa A. Molder

Playing in your backyard

O Desenho como Pensamento: Ver no Escuro

Various Others 2023: a report

Marcia Pastore: como produzir tensão

Para Aurélia: Desenhos de Fuga at Museu do Porto – Casa Marta Ortigão Sampaio

Descuradas: Obras da Coleção Norlinda e José Lima at Centro de Arte Oliva

In my own language I am independente: Carla Filipe at Serralves

Eurico Lino do Vale at Galeria Belard

They swirl (because we swirl): André Costa and Inês Mendes Leal at Brotéria

Preview: VARIOUS OTHERS 2023

Leaky Abstraction – creation as a continuous pursuit

Colecção Primavera-Verão by Ana Santos at Culturgest

Em Bruto: Fernanda Fragateiro’s moving relationships at CCB

E Mare Libertas: Haven, at Galeria da Boavista

Dors petit dors: Sara Sadik at Kunsthalle Lissabon

¿A Terra ainda é redonda?: Cristina Ataíde and her way of making the world

Territory #3: Profanações at Fidelidade Arte

Aurélia de Souza: As Casas – Rui Pinheiro at Museu Nacional Soares dos Reis

Experimento Coletivo: Confluência at Marvila

Interstício by Inês Moura at CAV

Wanted: body – Todo o corpo é político at Sociedade Nacional de Belas Artes

Interminável by Artur Barrio at CIAJG

Lisboa Soa or the art of conscious listening together

O Desenho como Pensamento – 5th module of solo exhibitions

Fertile Futures hosts an international summer seminar in Fundão

Moita Macedo and Edgar Pires: spatial dissonance, temporal dialogue

desenhos para coser sem agulha by Rosana Ricalde at the College of Arts of the University of Coimbra

What we see, what looks at us. O Lugar do Espectador, at CAPC in Coimbra  

Neo-Pós-Neo

Histories of a Collection. Modern and Contemporary Art from CAM

Todo o visível vem do invisível at Espaço Coleção da Fundação Altice

Inhabitants ou imitar o andar, by Nuno Sousa Vieira

do arquivo do acervo – Works from the Figueiredo Ribeiro Collection

Deusas Solares Contemporâneas: Extrativismo em Torres Vedras, by Inês Ferreira-Norman

Monitor gallery unlocks the doors of its new address: please don’t make yourself at home!

Disturbance in The Nile at Brotéria

Fogo Posto: Diana Policarpo & Odete na Lehmann + Silva

Hello! Are you There? Luisa Cunha at maat

Jorge Barradas Retrospective at MNAC

The poetry that will never elude Ilda David’

Untitled (It’s About That Time crystal version): João Onofre at Rialto6

Back to Back, Front to Front, by Toni Grilo

To be born or die of rottenness or the metaphysics of soft bones: Mattia Denisse at Rialto6

Summer Party at Mercado P’LA ARTE

Boy at Work: Cosima von Bonin at Lumiar Cité

Pearls of Venice: Icônes at Pinault Collection

Jimmie Durham: two must-see exhibitions in Napoli

Na Appleton: a smoke haze under a heat wave

Ragnar Kjartansson – não sofra mais at Mosteiro of Santa Clara-a-Nova

NON FINITO – Works from the State Contemporary Art Collection

Corpus Infinitum at MACBA: Museu d’Art Contemporani de Barcelona

Fight Light Fight: Navid Nuur at Jahn und Jahn

Matt Mullican: Between the activity of the senses and sleepiness.

Arquiteturas Film Festival 10th Edition – Where life happens

2023 Porto Photography Biennial – Acts of Empathy

Fieldworks

De ponta cabeça at Ateliê do Rego

tu & eu by Susana Mendes Silva at Fórum Braga

To dream once more or the violet freshness of Adriana Proganó

Caring is Sharing 2.0 at Arbag

Not even Eden is wasted: Gabriela Albergaria and the art of recycling thoughts

Hearts on Fire at AHomemMau

Terra – ou os quarenta e nove degraus: Miguel Branco at Fundação Carmona e Costa

Official Portuguese Representation at the 15th PQ23 – Prague Quadrennial of Performance Design and Space

On Fertile Futures: Portuguese Official Representation at the 18th International Architecture Exhibition — La Biennale di Venezia 2023

Something is always born or reinvented when a Slip happens

Hipotenusas by António Bolota curated by Rita Gaspar Vieira: Project Room by Banco das Artes Galeria – Leiria

And Now What?: Rúrí at Museu Internacional de Escultura Contemporânea de Santo Tirso

Partida do fim: a play on words, a set-up of meanings.

About the infinite in each one of us: Luigi Ghirri at MAC/CCB

Loosening time, lifting bodies, finding voids: Em Estado de Suspensão by Albano Afonso

Fragile Stones of Raqqa by Maria Trabulo, at Galeria Presença

Visiting “Escola do Porto Santo: uma obra de Raúl Chorão Ramalho”

Pose @ CACC

In the Earth’s serenity we hear the weaving of time. Mater at Pavilhão Branco, Lisbon

Pelo que não se vê by Nuno Sousa Vieira at Instituto Politécnico de Tomar

Expunção – the spatial, corporeal and mental archaeology of Nelson Rodrigues and Xana Sousa. Interview with the artists and curator Jorge Reis

Naturfatura: Catarina Leitão at Galeria Carlos Carvalho

Inauguration of the Coletivo Amarelo physical space

Art Brussels

Interview Andreia Garcia and Ana Neiva e Diogo Aguiar Fertile Futures . Venice Biennale of Architecture

Applications open for Jov’arte – Youth Biennial 2023

We Have Fun, by primeira desordem, at Livraria ZdB

O Desenho como Pensamento Cycle of exhibitions and conversations – Third exhibition module Cristina Ataíde, Francisco Vidal, Carlos Garaicoa

Dumping – A Obra de Arte na Era da Economia Digital

Self-will Run Riot – Leonor Parda at MALA

#Slow #Stop … #Think #Move – Fidelidade Arte

Wanderlust: Collective Exhibition at Artes – Mota Galiza (Porto)

Interview with Felix Vong, now on Umbigo’s cover of the month

Paulo Brighenti and David Correia Gonçalves in Braço Cruzado: throbbing bodies under the world’s time

The body dwelling in me

Call for Design Projects – Genetics and Identity

Quero um dia em que não se espere nada de mim

No creo en brujas, pero que las hay, las hay: Pagan Days by Pedro Valdez Cardoso

Fumos e Espelhos, de Hernâni Reis Baptista

Entrelinhas. Jorge Martins and Mónica Coelho at Ratton Gallery

Applications open for the 2023 FLAD Drawing Award

Farleigh is Wanted

Getting Back to where Appleton belongs, interview with Vera Appleton

The new players: Studio Chapple

Concentric Gestures: José Pedro Croft at Fundação Arpad Szenes-Vieira da Silva

Fictional Futures: speculating to live and die well, with and in other worlds

There is a flight

Journey to AlUla, the destination of tomorrow’s art

Brazilian Wax – an immersive and abrasive experience where worlds cross

On the other side of the mirror: waters of night, by Pádraig Timoney

Ex-votos: pursuing transcendence through art in a discouraging time

18th International Architecture Exhibition – La Biennale di Venezia 2023 Fertile Futures (more than a drop of water)

Oficinas do Convento and the work of the earth lighting up the city

Sopro by André Cepeda and Alka-Seltzer by Jorge Queiroz at Rialto6

A two-day Purge: an essay on freedom, Estudo do Meio

Interview with Nuno Ramos in the context of the Opening exhibition at Francisco Fino Gallery

The body is its own wound

Giving shape to place

FPM#4 – Bons, menos Bons e outros Sobreviventes, the culmination of two decades of Fundação PLMJ

Ne Pas Plier: Sara Mealha at Zaratan

Como uma Ilha sobre o Mar: Lourdes Castro, at MUDAS

Going beyond painting by painting: Ana Cardoso at Renata Fabbri Gallery

Ressurreição: Inês Zenha at Kunsthalle Lissabon

The abyss that stares back at you

First Assembly of Thought for Fertile Futures

Goethe-Institut announces two fellowships

Interview with Sandra Vieira Jürgens, curator of CACE

Applications for FLAD – OpenArt – Concurso para a Itinerância da Coleção FLAD

Opening of the exhibition Unwinding by Theodore Ereira-Guyer and Sam Llewellyn-Jones

A Ciência Cura: Luísa Ferreira at Museu do Neo-Realismo

Histórias Enraizadas by Uriel Orlow

Ambiguity and Contamination: Júlio Pomar, André Romão, Jorge Queiroz and Susanne Themlitz at Atelier-Museu Júlio Pomar

Pororoca by Cristina Lamas at Fundação Carmona e Costa

Painting without beginning, middle and end

Exhibition and Documentary – FPM#4 Bons, menos Bons e outros Sobreviventes

Conceal/Convey – Select! Select! Select! – the works of Beatriz Neves Fernandes in the limbo between material and immaterial

Interview with Lisette Van Hoogenhuyze, now on Umbigo’s cover of the month

Mercado P’LA ARTE

Jonathas de Andrade’s untamed and seductive olho-faísca

AiR 351 – Interview with the Founders of the Residency Program

UmbigoLAB Call: UmbigoLAB @ Loulé Criativo — until March 20!

Applications for the Visual Arts Course in Loulé are now open

Caffeine and phenomenology

Fertile Futures at the 18th Venice Architecture Biennale

Doing, when not knowing what to do

Ana Beatriz: Ana Vidigal at Balcony

There are no still images – Vila Franca de Xira Photography Biennial

UM~BRAL #1 at the window of Teatro da Garagem

EDP Foundation New Artists Award at MAAT

Mistifório

Carioquice: Brazilian art today, in Rio de Janeiro

The enigmatic zone of Horácio Frutuoso

Interview with Patrícia Rúbio, now on Umbigo’s cover of the month

Laranjas by Luís Paulo Costa at Fundação Carmona e Costa

Loló Soldevilla, Parisian Collages from 1953 to 1970 at galeria Rui Freire-Fine Art

Bestiário – Museu Fora de Si

Echoes of Nature by Manuela Marques at MNAC – Museu Nacional de Arte Contemporânea

Que te seja leve o peso das estrelas at CACC

Didier Fiúza Faustino at Maat or a body odyssey

Mulher-Manifesto para sempre Novas Cartas Portuguesas

Porquê at MNAC

Plano de Contingência at Cristina Guerra Contemporary Art

The images of the world

The Shape of a Circle in the Dream of a Fish: London ecology and art festival in Porto

Three Colours: Green by Evy Jokhova at 3+1 Arte Contemporânea

João Ayres’ painting and João Nisa’s landscapes at Galeria Zé dos Bois

(tempo) destempo at Plataforma Revólver

Office for Neanderthal Tourism & Crucifixion, by Nathaniel Mellors

O Ar Que Se Respira

Desabrigo: Rui Chafes at Fundação Arpad Szenes – Vieira da Silva

Religion, Art and Science are branches of the same tree: interview with F. João Sarmento SJ, Brotéria gallery

Transatlantic Pearls

(Im)Materiality

Cold Sweat

Utopias for Realists – Other Anthropocenes – The Apocalypse seen from Amazonia

Oneiroikos: the symbolic space of the house and the dream at Brotéria

Matter is Sovereign by Isabel Cordovil at Uma LuLik__

Reading Against the Grain: Rudolfo Quintas at Galeria Foco

The Throbbing of Time in Maria José Oliveira’s Labyrinth

Batalha Centro de Cinema: First season (December 2022 – July 2023)

Nobody Nowhere the limbo of the future in Gabriel Abrantes’ paintings

Freeing the Beast (or Catharsis)

Daniel Moreira and Rita Castro Neves – Faca na Pedra at Appleton

Um Dó Li Tá: Maria Peixoto Martins and Rita Leitão at Galeria Municipal Vieira da Silva

Ginny on Frederick: a Sandwich-Shop-turned-Art-Gallery

Há ainda algo por dizer – Debaixo da pele at Museu Berardo

Interview with primeira desordem, now on Umbigo’s cover of the month

O ruído dos sonhos – Círculo Sede e Sereia

A ZONA, by Diogo Simões

The Tale – Tiago Baptista at Rialto6

Lisbon Art Weekend

Lugares Restos/Remnant Spaces, by Gabriela Albergaria, in Viseu

O Inesperado e Esplendoroso Salón (do Rego)

Resistência Visual Generalizada, Livros de Fotografia e Movimentos de Libertação: Angola, Moçambique, Guiné-Bissau e Cabo-Verde, Anos 1960-80

Artissima: in Turin, art has taken over the city

You call it Utopia, I call it World

TNT: Terrassa Noves Tendències / September 28-October 2, 2022

Confessions of a First Frieze Week

Dissonance and fragility in José Maçãs de Carvalho’s Contratempo

Having the freedom to do what is required: Paulo Nozolino’s Oracle

Sementes Selvagens: Rivane Neuenschwander in Serralves

Performance O Permuto

É na Terra não é na Lua[1]

Sluice Lisbon: Territory

Maria Antónia Leite Siza, 50 Anos Depois at Serralves

Agarrar o que não vejo, by Paula Prates

Nuno Nunes-Ferreira, Monsieur Valadares at Balcony

Selva: Cristina Lamas and Francisca Carvalho na Brotéria

Quorum Ballet: Galili and Cardoso

da palavra ao desenho at Kunstraum Botschaft, Berlin

From the Greek, heteróklitos

Awarded artists at Drawing Room Lisboa 2022

Arde

Um enorme passado pela frente at Plataforma Revólver

This School is not an Island

Wayfinding: Alexandra Cabral at A Pequena Galeria

The horizon is the medium at Galeria Liminare

all you can eat, Plataforma 285

João Biscainho – Body Terminals at Chauffeur, Sydney

O que podem as palavras at DocLisboa’s twentieth year

Encontros da Imagem 2022: Lugares Comuns

Interview with Ana Catarina Teixeira, now on Umbigo’s cover of the month

Spaces in space: three Americans in Milan

Caring is Sharing at Cabanamad

Fórum by Andreia Garcia – the chance of a market returning to its place

Millennium Talks at Drawing Room Lisboa 2022

Avesso Festival

AiR 351 in November: Open Call, conference, and Open Studios

André Romão’s Allegorical Night

Factory of Disposable Feelings: Edson Chagas at Hangar

Amadora BD

OH MY DOG!: João Marçal at Galeria Minuta

Cindy Sherman under Metamorphosis at Serralves Museum

aFesta at aDrogaria

The Kids are Alright: primeira desordem at Monitor

Amor Veneris – Viagem ao Prazer Sexual Feminino: Musex – Museu Pedagógico do Sexo

Carlos Nunes: Abasedotetodesaba at 3+1 Arte Contemporânea and Proncovô at Appleton Square

my father is a dirty slutty transcendental girlie – Espaço Caramujo

Applications open for the 2023 Loewe Foundation Craft Prize

The galleries Jahn und Jahn and Encounter meet in Lisbon

Rui Matos – A Sequência dos Dias at Sociedade Nacional de Belas Artes

The Domino Effect and Prémio Arte Jovem

The Diary of Anne Frank

Collaboration and Companionship : Ponto d’Orvalho 2022

José Pedro Cortes’ everyday realism and Mané Pacheco’s fantastic imagination

We Are Also The Ghosts – Catarina Mil-Homens at UMA LULIK_

Jesus, the Son.

Cine y Moda. by Jean Paul Gaultier

Parallax by Susana Rocha at Sociedade Nacional de Belas Artes

XXII Cerveira International Art Biennial: We Must Take Action!

Unconscious Fruit at Galeria Foco

Sun & Sea: This is not a beach

Twin Islands by Sara Bichão and Violaine Lochu

Interview with Joana Siquenique, now on Umbigo’s cover of the month

To go to: Jorge Queiroz and Arshile Gorky at Gulbenkian

5 galleries to visit “ahora” in Andalusia

Algae Odyssey: Ana Kesselring at the National Museum of Natural History and Science

Fundo sem Fundo: Sérgio Fernandes at Centro de Arte Oliva

Living Your Life, Georges Dambier and Fashion

Culture at the Centre: Four stances of the four portuguese cities bidding to become European Capital of Culture

Building a map

Rui Chafes: Chegar sem partir

Programming space: The ghost in the machine

Disclosing the Idea of Death

Self-Portrait or Autofiction: Rembrandt’s onomastic coincidence

What was, now becomes at Brotéria

Ressonância: André Cepeda at Venha a nós a Boa Morte (Viseu)

Na Roda: Gabriela Machado at 3+1 Arte Contemporânea

Chegar à boca da Noite

Down To Earth* Collectiveness, Engagement and Regeneration

Por Completar by Diogo Pimentão at the Main Gallery of Casa da Cerca – Centro de Arte Contemporânea

Corrente de Ar Vol.II

Throbbing

Tale About Urban Piracy, Museu Municipal de Coimbra – Edifício Chiado, 13th Festival das Artes QuebraJazz

Minutia and monument

Mare Ossos Tellus, at Museu Nacional do Azulejo

Fury of life: works from the FLAD collection at Arquipélago – Centro de Artes Contemporâneas

Respiração Boca a Boca: Cristina Ataíde at Museu Internacional de Escultura Contemporânea de Santo Tirso

PARTE Summit’22

Júlio Pomar: Pintura de Histórias, at Atelier-Museu Júlio Pomar

More than in parallel lines the world runs in a network – PARALLEL PRL

MACE – 15 anos

Mirages and Deep Time: Mónica de Miranda at Galeria Avenida da Índia

documenta 15, an anti-stage stage

Loulé Design Lab

Migrantes são bem-vindos, by Gabriel Chaile

Interview with Tomás Abreu, now on Umbigo’s cover of the month

Culture&Nature in the first place: the Walk&Talk experience

Interview with Marta Jecu, curator of the exhibition Stone Alive

Berlin Biennale 12, repair draft

Vestir Memórias

Architecture’s Independent Space[1]

Turner. La luz es color

10th Edition of Jardins Efémeros: The beginning is uncertainty. The end is fascination.

Nada se Perde Tudo se Transforma by Beatriz Horta Correia

FinnisTerra 1, 1 e 1 Project

Interview with Bruno José Silva: Limit of Disappearance

The time of solidarity

João Maria Gusmão and Pedro Paiva through the works 3 Suns, Falling Trees and Papagaio (djambi)

Rua de mão única: Catarina Pinto Leite at Galeria Diferença

Words don’t come easy by Rui Calçada Bastos at Galeria Bruno Múrias

Ajax et Plures

PARTE Summit’22

Kuril Chto X Umbigo

Synecdoche: HElena Valsecchi at Galeria Sá da Costa

Metamorfoses: Imanência Vegetal, Mineral e Animal no Espaço Doméstico Romântico at Museu da Cidade – Extensão do Romantismo

Field by Pedro Cabrita Reis

Stammering in C minor or the illusion of escaping the Image

Drawn: Leonilson at Serralves Museum of Contemporary Art

Interferências at MAAT

Morre Longe by Tiago Alexandre at Appleton Square

Statues toppled! Or all Toppled? Damnatio Memoriae

Ocean Space: the Ocean, a place of universal knowledge

Panamérica, lavro e dou fé! Ato 1 – Haiti o Ayiti

A tad sour, a tad sweet: The milk of dreams at the Venice Biennale

The Invisible Life

Nós by Maja Escher and Sérgio Carronha at Monitor

Seminário: Curated Research_The Academy as Medium at Colégio das Artes da Universidade de Coimbra

Outra Língua, by Keli Freitas, Raquel André, Tita Maravilha and Nádia Yracema.

Sobre o céu não sabemos nada: Paralaxe

Interview with Luísa Jacinto, now on Umbigo’s cover of the month

Crossing dialogues

Postcards from the Edge

Limiar da Trilogia – Ato 2/3. Manicómio at Fidelidade Arte

Testing limits in the gaps

SEMPRE: Ana Jotta at Lumiar Cité

National Pavilions and the National Pavilion at the Venice Biennale

É o cenário que se move / It’s the scenery that moves from Luísa Jacinto and Isa Melsheimer at Brotéria

Isaque Pinheiro’s A Malha on the .insofar façade

A timeless and emerging collection Institut Culturel Bernard Magrez

Territórios Desconhecidos: A criatividade das mulheres na cerâmica moderna e contemporânea portuguesa (1950-2020) at Museu Nacional do Azulejo

Robyn Brentano & Andrew Horn, Carlos Bunga, Spencer Finch, General Idea, Kapwani Kiwanga, Eric N. Mack, Joseph del Pesco and Johnny Pootoogook at Galeria 3+1 Arte Contemporânea

Alice Miceli and the sublime underground at Escola das Artes

Sound and Future – Four Tools to Unblock The Present: João Pimenta Gomes at Plataforma Revólver

The Milk of Dreams: The same, different

“There is a swimming pool in the inner courtyard”[i]

The X edition of Jardins Efémeros

In Conversation with Theodore Ereira-Guyer

In the age of photographic immediacy: social media as a vehicle for building museum narratives

Galeria Energia: Interview with Filipa Ramos, Artistic Director of Porto’s Department of Contemporary Art

Emotional Landscapes by Ragnar Kjartansson at the Thyssen Bornemisza Museum

Em memória de mim: Gisela Casimiro at Armário

through an affective journey of memory-images Finding a Way: Simone Fattal’s solo show at the Whitechapel Gallery

Sara & André – O Colecionador de Belas Artes at Galeria Quadrum

Museu das Obsessões: For the eyes that never blink by Christian Andersson and Ensaio sobre a Gordura by Ana de Almeida

ARCOlisboa – Cordoaria Nacional

Anozero’21-22: Coimbra Biennial Meia-noite

ATO (DES)COLONIAL at Museu do Aljube – Resistência e Liberdade

Gallery Weekend Berlin 2022

Salvai as nossas almas: S.O.S by Eugenio Ampudia at the National Pantheon

Interview with Rebeca Romero, now on Umbigo’s cover of the month

Europa Oxalá – Group exhibition at Calouste Gulbenkian Foundation

Tony Conrad at Culturgest

Rise and Fall by Stuart Ian Frost and Daydreamer by Will Beckers are the two sculptural interventions at Quinta do Pisão

Interview with Vasco Vidigal on the Artadentro association

Lisbon by Design – Palacete Gomes Freire

Let Them Talk — Gustavo Sumpta

Where what is not is – Group Exhibition at gaat

Philip Beesley – de rerum naturae or the evocation of possibilities

Moldada na escuridão – Hugo Canoilas at Fundação Calouste Gulbenkian

#longlivepdg: Manuel Botelho at Galeria Miguel Nabinho

This side of Nowhere – Carolina Pimenta at Galeria Nuno Centeno

Doors to Heaven, by Andree Martis

Online Seminar and Exhibition – Demonstra Project

Água viva, by Hernâni Reis Baptista, at Dentro

Besta – at Galeria 111

Umbigo Magazine x Eugen Rădescu

Dobra Sol – Mariana Caló and Francisco Queimadela at NO·NO Gallery

Da Forma no Espaço ao Espaço da Forma

Degelo Desenho 1989-2021 by Inez Teixeira at the Carmona e Costa Foundation

An Unnatural History

Art Brussels 2022: Wrap up

Tracing the Infrathin at galeria Monitor

Let Them Talk — Carlota Lagido

Synchronicity | Uma exposição de partilha and Aires | Uma performance em três actos at Plataforma Revólver

Camada a Partir do Plano de Fundo: Leylâ Gediz in Martim Moniz

Seres Imaginários at Galeria Carlos Carvalho and Álbum de Família at Appleton [BOX] – Carla Cabanas

Maria José Palla, Arquivo, at Appleton Square

IRL Stories: Becoming Whole with Aslı Hatipoğlu

close and then far away: Oraib Toukan, Peter Friedl and Rabih Mroué at KW – Institute for Contemporary Art

Sónar Festival in Lisbon, a relationship that starts now

Isabel Simões’ gravity and grace and Diogo Evangelista’s magnetic fields

Open Call: Jardins Efémeros’ 22

Interview with Isabel Cordovil, now on Umbigo’s cover of the month

Let Them Talk — Tiago Vieira

Polka Dot Brain and Sobrevoo: António Olaio and Rita Gaspar Vieira at Galeria Belo-Galsterer

Interview with Jorge Reis about the show OBSCURUS

Festina Lente: Clara Sánchez Sala at Linha Amarela

Just Believe. – Elisa Azevedo, Fábio Colaço, Isabel Cordovil and Pedro Henriques at UMA LULIK

Interior: Patrícia Garrido at Giefarte

1983 by João Pedro Vale and Nuno Alexandre Ferreira + Bassness by Emily Wardill at Rialto6

Motion. Autos, Art, Architecture

mais desenhos de casas. para ti: Carlos Nogueira at 3 + 1 Arte Contemporânea

Mais vale tarde – Mariana Gomes and Nuno Gil at aDrogaria

Let Them Talk — Natacha Campos

Síncrono | do registro ao fluxo, by Flávio Rodrigues at Rua das Gaivotas 6

Museum visitors and the attention economies

LOSS OF AURA at Galeria Pedro Oliveira

Portugal at the Venice Biennale: an interview with Pedro Neves Marques

Not to Scale – Ant Hampton and Tim Echells at Brotéria

Applications open for the FLAD Drawing Prize 2022

Apocalypso by Luara Raio at Black Box of Centro Cultural de Belém – CCB

We are synchronized, now and forever: Lovers na Zaratan – Arte Contemporânea

Jorge Santos (1974-2022)

WHAT PORTUGUESE? – what typifies, differentiates and characterises Portuguese architecture at Casa da Arquitetura

Imagem em Fuga: Júlio Pomar, Menez and Sónia Almeida at Atelier-Museu Júlio Pomar

Under the rug – João Pedro Trindade at Sismógrafo

Let Them Talk — André Teodósio

The world is seen better in the twilight: João Maria Gusmão at Cristina Guerra Gallery

Interview with Diego Bragà about Geografia do Amor

FPM #3 Da construção ao imaginário at Galeria da Fundação PLMJ

Colégio das Artes @ Galeria Millennium bcp (MNAC/MC) — lançamento do catálogo da primeira exposição in situ da UmbigoLAB

Art Talks – Conversas com artistas da Colecao Fundacao PLMJ

Para fora deste mundo não podemos cair: Diana Carvalho and Pedro Cabrita Paiva at Rua das Gaivotas 6

Between what we know and what we find: The game of matryoshkas by Julião Sarmento and Sandra Baía at the MUDAS – Madeira Modern Art Museum

Cemiterra-Geraterra: Miguel Palma at Parque Quinta dos Remédios

Emigrantes at Espaço Escola de Mulheres

Let Them Talk — Ana Ribeiro and António Duarte

Chalaza: Francisco Trêpa at CABANAmad

Not for the living – Out of an instance of expiration comes a perennial showing

Liberty, Sensitivity, Solidarity!

The Rest is Silence: Bruno Castro Santos at Rui Freire – Fine Art

Sculptures between comedy and drama: Kostis Velonis at Monitor

The Artery is the Mirror of the Soul

Kaunas – European Capital of Culture 2022

Let Them Talk — conversation with Miguel Loureiro

Luvas Brancas by Pedro Valdez Cardoso and Amanhã by Nuno Sousa Vieira + Pedro Valdez Cardoso

Domenico Gnoli: The magic of details

Once Upon a Time by Rui Castanho

Open Call: LW’22 Residency Program until March 7

Quando a terra voltar a brilhar verde para ti at Museu da Cidade Porto – Romanticism Extension

Alberto Carneiro Art Center: The celebration of contemporary Portuguese art in Santo Tirso

Interview with Tiago Baptista, now on Umbigo’s cover of the month

Kissing Someone in the Middle of a Crowd: Translating Ernesto de Sousa’s “Orality, The Future of Art?”

DAMAS DA NOITE or What It’s Like To Be Another

A República Alexandrina: Pedro Saavedra at Centro Cultural Malaposta

Um berlinde no chão, quase no meio da sala: Susanne S. D. Themlitz at Casa da Cerca – Centro de Arte Contemporânea

The D.E.A.D. Man, by Henrique Pavão

The position of the future and the technical possibility. transmediale 2021-2022: abandon all hope ye who enter here

Let Them Talk — conversation with Sofia Dinger

From zero to infinity: Pequenos Fogos by José Leonilson and Tomás Cunha Ferreira at Brotéria

Crust against crust: Fair Game by Alexandra Bircken and Was heißt Untergrund? by Tatjana Doll at KINDL

Let Them Talk — conversation with Rui Catalão

Just My Imagination: Zanele Muholi e Ayogu Kingsley at HANGAR

Uma Dança das Florestas, by Wole Soyinka

Between Words and Silences: Works of the Norlinda e José Lima Collection

HOT CONTENTS, by Mariana Tilly and Sofia Mascate

Coveiros, Escola do Largo

Wow, by Sónia Baptista

A reminder for the future – Camille Blatrix at the CAC – Synagogue

Sun at Night: A call for hope

Invisible Flowers: Noé Sendas at Galeria Presença

Wait in Line by Ian Tweedy, at Galeria Monitor

Let Them Talk — conversation with Ana Libório

Mutirão[i] at the nowhere: an experiment in living(with)

Anozero’ 21-22 – Coimbra Contemporary Art Biennial – Meia-Noite parte 1

Life’s Reproduction Policies or a Theorem dedicated to the expansion movements with A Mecânica do Efémero

Paula Rego at Galeria 111

A private geometry: McArthur Binion and Sol LeWitt at De Carlo Gallery, Milan

In the light beam under the door – Fernão Cruz at the Gulbenkian

Mala Voadora: Has the American Dream Been Achieved at the Expense of the American Negro? and Teleculinária

Antarctica – Out of Balance: Edward Longmire at Museu Nacional de História Natural e da Ciência

Rehearsal for a community at Central Tejo

The Critics School: Theatre Criticism Seminar

Dimitra Dede’s tree of life

XV International Biennial of Artistic Ceramics of Aveiro — on view until January 30

Let Them Talk — conversation with João Fiadeiro

A Cidade Incompleta, by Fernanda Fragateiro

Mais Tarde: Jorge Molder at Galeria Belo-Galsterer

Tipologia: Ana Romãozinho at Casa Amarela – Galeria Municipal de Castelo Branco

(dis)assembly: Sam Smith at 3+1 Arte Contemporânea

Interview with Francisco Trêpa, now on Umbigo’s cover of the month

For Laura: trapped in reality’s artificial reproduction

DEVOLUTION: Tomaz Hipólito at Carpintarias de São Lázaro

Heavier than the sky, Ângela Ferreira at Sismógrafo

Future archive of a possible body: H.R. Giger and Mire Lee at the Schinkel Pavillon

Let Them Talk — film compilation of all artists

Susto é um Mundo by Vera Mantero

Eles passarão, Tu passarinho – Uma história política das aves, by Andreia Farinha

Le regard et l’excédent, interview with Ricardo Zúquete

One year of RAMA

Carsten Höller’s immersive experience at MAAT

Moon Foulard by Rodrigo Hernández – Culturgest Porto

OPEN CALL Dose 08

“And it’s as if I’ve suddenly reached the bottom of the end, back to the beginning”. Trauma Response – group exhibition

Artissima em Turim: A arte contemporânea regressa à cidade

Imprisoned by senses: Tatiana Macedo and Horácio Frutuoso at CAV – Centro de Artes Visuais

Bloody Mary, Bloody Mary, Bloody Mary: Cammisa Buerhaus at Mala

Limpar a seco and Mão pesada: João Jacinto and Horácio Frutuoso at Travessa da Ermida

Side Facing the Wind: Silvia Bächli at Fidelidade Arte until November 26 and at Culturgest Porto from December 18

#banhodeprata at aDrogaria

No sonho do homem que sonhava, o sonhado acordou: On November 27 opens the first in situ exhibition of UmbigoLAB, an outcome of the partnership with the College of Arts

MADEIRADiG — An island in the future

Seres Vulneráveis/Vulnerable Beings, Tuning In

PANDEMIC – I Don’t Know Karate, but I Know Ka-Razor! – Filipe Marques at the Municipal Gallery of Porto

Galeria Zé dos Bois: The observer’s accomplice

Previsão de Deriva, Márcio Vilela

Interview with Pedro G. Romero — The New Babylonians: Crossing the Border

Contra-parede: construction and protest

Jacuzzi by Manuel Solano, at Kunsthalle Lissabon

Interview with Hugo Ganhão: 4500 – Photographic Essay

A Third Reason and Clavier à Lumières: Alexandre Estrela and Igor Jesus at Rialto6

CAM in Motion

Interview with José Pina, director of Teatro Aveirense

Nada existe: Rui Chafes at Galeria Filomena Soares

It’s not a landscape, It’s a battlefield: Alexandre Conefrey at Galeria 111

CRYPTOZOOGODEMICHET: Encapsulated beings, images, auras

Around the World: Lawrence Weiner at Cristina Guerra Contemporary Art

Uma vida inteira, by Nuno Sousa Vieira

Os caminhos do corpo: Alberto Carneiro at 3+1 Arte Contemporânea

Be it day or night, it matters not: André Gomes and Pedro Calapez at Museu Coleção Berardo

Things do not change, we change: Sustentar as part of the Porto Photography Biennale

31st Encontros da Imagem – International Photography and Visual Arts Festival, 2021

Open Call: Mercado P’LA ARTE — until October 20!

Muxima: Edson Chagas at .insofar

Berlin Gallery Weekend Discoveries. Jonas Roßmeißl, Die Neue Statik | A new static, at Klemm’s

Citizens of the Cosmos: Anton Vidokle at Espaço RAMPA

Interview with João Pimenta Gomes, author of Umbigo’s cover of the month

Book launching “Transversal Talks with Yuri Firmeza” and lecture Image and Writing Laboratory

Collective Exhibition for a Single Body – The Private Score (Lisbon, 2021)

Vultures and a “grown man crashing his toy car”

A past that has not fully passed yet

Fósseis – Fragmentos Pós-Arqueológicos by João Dias, at Quinta da Cruz – Centro de Arte Contemporânea de Viseu

The art of projecting together: a tour across the 17th Venice Architecture Biennale

Composição para um espaço com base nas estrelas e planetas: Sérgio Carronha at Galeria Municipal de Almada

Interview with John Romão, artistic director of BoCA – Biennial of Contemporary Arts

Festival Paragem: Contemporary art practices in the silly season

Interview with Barbara Piwowarska, artistic director of Casa São Roque

Some notes on looking up from underneath: Interview with Diogo da Cruz

Galeria das Salgadeiras: 18 years

Available soon

Interview with Marta Mestre, curator of CIAJG

No Reino das Nuvens: Os Artistas e a Invenção de Sintra at Museu das Artes de Sintra

OSSO – Artist residencies in the village of São Gregório (Caldas da Rainha)

The imperfect meaning of sculpture

Nella Cohorte di De Chirico, at Colégio das Artes, Coimbra

IndieLisboa: Delving into Les Sorcières de L’Orient by Julien Faraut

Terror and seduction by Teresa Milheiro

Whispering Mirrors: Rodrigo Gomes at Carpintarias de São Lázaro

Everything will be okay: Sanatorium, by Pedro Reyes, at maat

Found archive of clouds: Andrés Galeano at Mataró Art Contemporani and Galería Rocio Santa Cruz

Vídeo sob pressão #1: Corpo em resistência at Círculo Sereia

Fingers are masters: Interview with Ernesto Neto

The Opening Response: Iris Ferrer, Kent Chan and Julian Abraham ‘Togar’

Os livros de Júlio Pomar: Itinerância da leitura, escrita, pintura at Atelier-Museu Júlio Pomar

Dip me in the river, drop me in the water! at Galeria Pedro Cera

Take Care: PADA at 3+1 Arte Contemporânea

The other as the epiphany of beauty at Polo Cultural de São Roque and Convento de São Pedro de Alcântara

Casa: Carlos Bunga at Galeria Vera Cortês

Walk&Talk 10 — To a «commonplace» somewhere on this island

On the edge of the landscape comes the world: The island is unfolded

From desire to recognition. Caring for oneself/caring for all. All I want: Portuguese women artists from 1900 to 2020 at Museu Calouste Gulbenkian

A Vida Sensível: Pedro Vaz at Galeria 111

Interview with Ana Paula Amendoeira — Regional Director for Cultural Affairs in Alentejo

Arquivo Municipal de Lisboa | Fotográfico celebrates World Photography Day with two workshops and a photobook launch

Herança: Ana Vidigal and Nuno Nunes-Ferreira at Museu Nacional de Arte Contemporânea – Museu do Chiado

Travessia: Rui Chafes at Casa das Artes de Tavira

Pés de Barro: Ana Jotta, Eduardo Navarro, Formabesta, Gabriel Chaile, Isabel Carvalho, Neïl Beloufa, Pauline Curnier Jardin and Tamara Henderson at Galeria Municipal do Porto

Open Call: Mercado P’LA ARTE — until August 17!

The Sun Also Rises: Adrien Vescovi, Antoine Langenieux-Villard, Bertrand Fournier, Charles Benjamin, Fran Van Coppenolle, Julien Saudubray, Mirco Marchelli, Natacha Mankowski, Sérgio Fernandes, Taylor Anton White and Xolo Cuintle at Everyday Gallery

14-21: Duarte Amaral Netto at Galeria da Boavista

Cat did it!: Hugo Brazão at Commonage

Coleção de Espectador_s, a show by Raquel André at Teatro Nacional D. Maria II

Interview with Teresa Huertas, winner of the 16th edition of the Vila Franca de Xira Photography Biennial

Stop Painting: When painting rebelled itself

Memórias de uma (H)era

Interview with Carla Filipe, author of “(In)consciência sob um estado de amnésia — Movimentos de luta e resistência na cidade do Porto no século XX”

Escola da Vila – Construção de um espaço comum

An Animal with a backpack, by Musa paradisiaca

Maria José Oliveira. The Unspeakable Poetics of objects.

At the end of it all there’s the beginning, the negotiation! Carlos Noronha Feio at 3+1 Galeria 3+1 Arte Contemporânea

Armoured Room: Fernão Cruz at Centro Internacional das Artes José de Guimarães

Independent Spaces for the Promotion of Contemporary Art in Porto and in the Present Day

Other People Place: Ryan Gander at Galeria Nuno Centeno

Available soon

O Canto do Bode: Fortes D’Aloia & Gabriel, Galeria Luisa Strina and Sé exhibit at Casa da Cultura da Comporta

A invenção do compasso: Humor Líquido at Espaço Camões in Livraria Sá da Costa

Interview with Jonathan Uliel Saldanha, an associate artist of Teatro Municipal do Porto for the season 2021/2022

Three must-see exhibitions in Alvalade

Interview with Nuno Crespo, director of the School of Arts at the Catholic University of Portugal

The eye is not satisfied with seeing: Jennifer Packer at Serpentine Gallery

Angel of Anarchy: Eileen Agar at Whitechapel Gallery

Abrupt: Dust Devices & Berru at Passos Manuel

Art(e)facts Biennial arrives to Beira Interior — with a group show opening this Friday

É só uma ferida: Pedro Barateiro at Fundação Carmona e Costa

Oculto e Sapatos: fica-se; chinelos: sai-se, at Projeto Travessa da Ermida

Next to the Next Century and Contrato Promessa: António Olaio at Kubikgallery and Vasco Futscher at Kubikulo

N/A

The Opening Response: Tomas Silgalis

Contra-Parede; confrontation and subversion

Lost in sleep twitch

“The world is the infinite curve that touches (…)”

N/A

IRL Stories: Grooving with Alvin Collantes

Circle Navel Nil, by Loretta Fahrenholz

Albuquerque Mendes and Paulo Neves: Artists honoured at the IV International Gaia Art Biennial

Milan’s artistic spring is all – or almost all – minimalist

Ping! Programa de Incursão à Galeria: Interview with Matilde Seabra at the Galeria Municipal do Porto

Senso Comum: Interview with Céu Guarda at The Cave Photography

Porto Design Biennale 2021

Desarrumada and Debaixo de cada cor, at Galeria Belo-Galsterer

Open Call: No Entulho @ ArtWorks — until June 20!

A Decade that Exploded and Eixo-Próprio: Two exhibitions at Rialto6

Início permanente: Rui Chafes at Galeria da Casa A. Molder

A Fonte da Gardunha, part of the 2021 cycle 12 em Rede, will take place on June 19 in the historical village of Castelo Novo

There’s always more to see: José Pedro Cortes at Galeria Francisco Fino

Carla Accardi and the contexts of her painting: Two exhibitions in Milan

Through the Keyhole: Ângelo Silva and Paulo Damião

Cut Down The Middle: João Vasco Paiva, Heman Chong, Ramiro Guerreiro, Ko Sin Tung and Magdalen Wong at Galeria Avenida da Índia

Caged: Alexandre Baptista at Galeria Sete

O que teriam ouvido se estivessem calados, by Menino da Mãe

Urihi theri: Sheroanawe Hakihiiwe at Kunsthalle Lissabon

Map to the stars: Do Inesgotável, an exhibition by Pedro Calhau

Spatial Affairs, at Ludwig Múzeum

Galeria Zé dos Bois: Dreams of Dreams

Centro Mutável — with Ana Cardoso, Armanda Duarte, Belén Uriel, Guarda Rios, Inês Teles, Os Espacialistas and Ricardo Jacinto

A Interminável Tarefa Taxonómica, by João Paulo Serafim

A Longa Sombra — Saco Azul Associação Cultural

Open Call: Poster Mostra — until June 3!

Amadora-3, by Diogo Brito

Situação 21: Stories with tomorrow – a solidarity mapping of the galleries’ relevance in Porto

There’s more water entering the soil, by Inês Brites

Interview with Luisa Cunha, winner of the 2021 EDP Foundation Art Grand Prize

Burned Against the Rear Fender: Monika Grabuschnigg at Lehmann + Silva

Gaia: Salomé Lamas at gnration

Amuse-Bouche, at Galeria Foco

Maiden Voyage, at MONITOR Lisbon

Liebestod – Amor e Morte: Vasco Araújo at Sismógrafo

Rezo os dentes da tua boca, by Fábio de Carvalho

O desenho como pensamento at Centro de Artes de Águeda: Mais nada se move em cima do papel

Solfatara, by João Jacinto

Viaduto, by Renan Martins & Frankão, at DDD – Festival Dias da Dança

5 Cultural Suggestions: Martim Sousa Tavares

An open conversation with Maria Trabulo and Kevin Boothe

Bienal’21 Fotografia do Porto

Fábio Colaço, Portraits, at Galeria Nave

Announcement of the PB20’s winners and Umbigo #76 launch

Interview with Aric Chen, curator of the exhibition X is Not a Small Country – Unravelling the Post-Global Era, at MAAT

Viaje Hacia la Luz

server not found: Interview with Filipa Oliveira

Interview with Manuela Moscoso, curator of Liverpool Biennial 2021

Constellations III – a choreography of minimal gestures

Leite Derramado

A museum to imagine the future: Interview with Luca Lo Pinto

The Air-Conditioned Nightmare, by Diogo Bolota

Sustainability and Art – Part II

The in/visible landscapes of Tito Mouraz

É tempo que a pedra se decida a florir, by Luís Silveirinha

Anda, Diana: Interview with Diana Niepce

Ernesto de Sousa Cycle: Revolution OUR Body

Interview with José Maçãs de Carvalho

Art in the Plague Year – California Museum of Photography

Interview with Frans van Lent

Mercado P’LA ARTE — a new art fair

Interview with Alice Bonnot

International Conference Art, Museums and Digital Cultures

5 Cultural Suggestions: Jonathan Uliel Saldanha

Brave New Vaga

Luisa Cunha wins the EDP Foundation Art Grand Prize 2021

As an artist of quantum events, Guillaume Cousin claims the materiality of emptiness

Through the Keyhole: Nuno Maia

Investigações de um peixe dourado, by Carlos Arteiro

JOV’ARTE | Bienal Jovem 2021

Red Flowers, by Henrique Pavão

Que horas são que horas: uma galeria de histórias at Porto Municipal Gallery

Nets of Hyphae – Diana Policarpo at Galeria Municipal do Porto

N.A.

Um esqueleto entra no bar… by Paulo Lisboa

5 Cultural Suggestions: Cláudia Varejão

Partituras & Objetos – Pedro Tudela at Escola das Artes

Through the Keyhole: Rui Brito

Interview with Catarina Braga

5 Cultural Suggestions: Maribel Mendes Sobreira

The Opening Response: Riccardo Maria Chiacchio

Walk the Curve, by Ayelen Peressini + Inês Teles

N/A

5 Cultural Suggestions: CCIF / UMAR Team

About Today – João Louro at zet gallery

A Reflection on Photography Online Exhibitions

Through the Keyhole: Ana Pérez-Quiroga

The College of Arts of the University of Coimbra and the UmbigoLAB platform announce a collaboration program

5 Cultural Suggestions: Gabriela Albergaria

Sustainability and Art — Part I

Open Call: 1st Art(e)facts Biennial – Supernatural Togetherness

Interview with Yuri Firmeza: Following the trail of earthquakes

5 Cultural Suggestions: Nuno Faria

pov: Odete — “I don’t think Portugal is very aware of History as fiction that is assumed as fact”

IRL Stories: Picturing ‘Songs for Captured Voices'

Through the Keyhole: João Pedro Vale + Nuno Alexandre Ferreira

Interview with Mariana Gomes

5 Cultural Suggestions: Brotéria

O mundo que nos vê – Espaço MIRA

The Opening Response: Paul Hutchinson

La Biennale de Momon 2021

N/A

Between Studio and Gallery

5 Cultural Suggestions – Paulo Lisboa

Filipe Vilas-Boas is neither a naïve technophile nor a technophobe

Through the Keyhole – Ana Vidigal

5 Cultural Suggestions – Carla Filipe

Os Espacialistas giving and receiving training

Interview with Clara Imbert: Behind the cover

Las Palmas, Apofenia – a case study

The forms of thought – Martim Brion at Sá da Costa

O Idílio Habitual, by José Loureiro

Juliana Notari revolutionizes Usina de Arte with Diva

@blaufuks_daily: a comical mystery on Instagram

Embodying the void, by Cristina Ataíde

5 Cultural Suggestions – HuBB Humans Before Borders

On Wildfire, David Claerbout’s exhibition at Pedro Cera Gallery

Fábio Colaço and Urbano at Abreu Advogados

Facing Bare Life

Interview with Giulia Damiani: From the Volcano to the Sea

Marilá Dardot in Finestra Sinistra

Ballad of Today, by André Cepeda

To Unravel a Torment, by Louise Bourgeois

Boys Appetite, a photography project by Miguel Flor – now on the streets of Lisbon

La Distinción: La Broma Infinita, at ARTEINFORMADO: Espacio iberoamericano del arte until January 20

Entre Deux Eaux, by Adrien Missika

COSMO/POLÍTICA #6: Biblioteca COSMOS – the beginning

Mal-me-quer, by Rita Ferreira

Between Fear and Desire, by Who Knows?

Surender, Surender., by Nikolai Nekh

18 Years, 18 Musics (Mixed by DJ Rai)

Somos todos patos a querer ser cavalos, by Adriana Proganó

Festa de 15 Anos: Interview with Mickaël de Oliveira and Diego Bagagal

Pólipos cnidários reparados pelo olhar do observador – Hugo Canoilas at Serralves

Place of the present time and the dreamed life: Lieu de Vie, by Zé Ardisson

A forest of points and lines: Quacors e Prismas, by Ascânio MMM

Echoes from a Liquid Memory, by Carincur

¿De qué casa eres? Episodios de un cotidiano. Del bando republicano de la Guerra Civil Española, by Ana Pérez-Quiroga

Fake Sun, Fake Eyes, by Elisa Pône

Infinite Sculptures: From the Antique Cast to the 3D Scan, at Museu Calouste Gulbenkian

Contracto Natural, at Saco Azul

My body, this paper, this fire, by Pedro Barateiro

The Bedside Table, by Pedro Valdez Cardoso

The Opening Response: Chto Delat

Bela Silva at the gallery Rui Freire – Fine Art

Looking at Animals, by Joana Villaverde

GREAT MOMENTS: Eduardo Batarda in the 70s, at Fundação Arpad Szenes-Vieira da Silva

The elusive truth, by Jorge Santos

Campo/Contracampo, by José Pedro Croft

ProjectoMAP 2010–2020. Map or Exhibition at Museu Colecção Berardo, Lisbon

Vista para o Parque, by Rui Sanches

Ponto Sem Retorno

Um oásis ao entardecer, at MAAT

Something Happened on the Way to Heaven, by Kiluanji Kia Henda

Mishima Kimiyo’s art, at Sokyo Lisbon

Interview with Horácio Frutuoso

Exhibition Arte Jovem Millennium bcp Foundation 2020 Award

Art, Museums and Digital Cultures Cluster – Call for Papers

A palavra, by Nuno Nunes-Ferreira

How to unplug an art fair (in 2020): Interview with Ilaria Bonacossa, director of Artissima

Confissões ou Uma Autobiografia Sem Factos, by Gustavo Antunes

EmpowerBank, by Plataforma285

Arpad e as cinco, by Ana Vidigal

And Yet You Go On, at Duplex | AIR

The space between us, by Rosanna Helena Bach

RED LIGHT: Sexuality and Representation in the Norlinda and José Lima Collection

Farci.e, by Sorour Darabi

Heading Against the Wall – Interview with André Godinho

The Skull of The Haunted Snail, by Andreia Santana

Ajarb Bernard Ategwa – at Peres Projects

The Silence Show – at Culturgest

Lisbon Art Weekend presents its second edition from November 13 to 15

The Opening Response: Delia Jürgens

Speculative Intimacy, by Alicia Kopf

IRL Stories: Chatting with Ghetthoven

Dissonâncias – at Museu Nacional de Arte Contemporânea/Museu do Chiado

Deep Line, by Nuno Sousa Vieira

All the light that’s ours to see, by Judith Barry

sage comme une image, by Horácio Frutuoso

Interview with João Ferro Martins

Protótipos: Mecanismos de Ensaio – Miguel Palma at Zet Gallery

Lo demás, yo mismo, by Fernando Clemente

The Opening Response: Coco Fusco

Mauro Pinto, Blackmoney

Interview with Luísa Ferreira

Laurent Montaron, at Monitor Gallery

Um tempo sem medida, by Carlos Mensil

Peça do Coração: EXCALIBUR

XXI Cerveira International Art Biennial

maat extended is now online

Equivalence and imbalance, by Marcelo Cidade

Interview with Pedro Gomes

What We Don’t Have, We Can Create at PADA Studios, Barreiro

Antes, después, ayer, mientras, ahora, by Belén Uriel

Power Structures (Crouch-touch-pause-engage)

3rd edition of Drawing Room

26th Edition of CineEco in Seia

Porto Femme 2020 – Interview with Rita Capucho and Ana Castro

vocal tract / black hole / vent shaft (part I), Diogo Tudela at the Gnration

The Opening Response: Luca Staccioli

Dissonances at the National Museum of Contemporary Art – Museu do Chiado

Lisbon by the Ear at the 2020 Open House

Interview with António Pinto Ribeiro and Sandra Vieira Jürgens

Conference Photographic Work – Last 70 years: Practices and Perspectives from the PLMJ Foundation Collection

Homo Kosmos (cough, cough) by Tiago Borges & Yonamine at Galeria Avenida da Índia, Lisbon

TERAS TERRA – Lito Kattou & Petros Moris at Galeria Duarte Sequeira

Transmetatlanticus: Oca International Artist Residency

NA

Artistas Plásticas em Portugal e Fragmentos de Viagens na Obra de Julião Sarmento launched at MNAC

The Opening Response: Uta Bekaia

Spectrum, at the CAV – Centro de Artes Visuais

Brussels Gallery Weekend – In Conversation with Sybille du Roy

Velvetnirvana at the Pavilhão Branco

Cápsula by Pedro Henriques

5 Cultural Suggestions — João Salaviza

Music for the Weekend #015 — Protest Songs: We are in this Together

The Opening Response: Yates Norton

Interviewing IVO

Enrico Garzaro

Short accounts of a world in uninterrupted finishings

Discurso de Decolonialidade

Music for the Weekend #014 — Space, the final frontier

Saâdane Afif will be the convener of the next Bergen Assembly 2022

Balada do amor e do esquecimento

Evanescent but active: the space-producing painting

Fossil by James Newitt – Carpintarias de São Lázaro

F+S+T=X by Fernão Cruz, Sara Mealha and Thomas Langley

Archive of Destruction, by Pedro Lagoa

Interview with Guillermo Anselmo Vezzosi

Apesar de não estar, estou muito – Diogo Jesus at the Galeria Municipal do Porto

How to silence a poet, by Susana Mendes Silva, at MNAC

Music for the Weekend #013 — It Takes Two to Tango: Dynamic Duos

Art in Quarantine — Maria José Oliveira

A man should always have an occupation of some kind – Fernando Brito at Sismógrafo

The Opening Response: Mark Thomas Gibson

Ophiussa Ex Machina, by Ricardo Barbeito

5 Cultural Suggestions — SOS Racismo

Interview with Elizabete Francisca

A Corrida – Interview with Luísa Abreu at Galeria Sala 117

Overlay by Diana Policarpo, at the Lehmann + Silva

The aestheticization of the archive, Materials Lab by Fernanda Fragateiro at the Appleton

Music for the Weekend #012 — Restos de Colecção I

Pequenas notas sobre figuração: Eugénia Mussa, Daniel V. Melim e Thomas Braida, at the Monitor, Lisbon

The Opening Response: Ivan Šuletić

The Homework of the Madragoa Gallery

5 Cultural Suggestions — Yuri Firmeza

Art in Quarantine — Ana Pérez-Quiroga

Art in Quarantine — Alexandre Delmar

Inhale, Exhale (self-breathing kit) by Paulo Arraiano

Open Call: RExFORM – International Performance Project 2020

Yoko Ono: The learning garden of freedom

Conversa Inventada by André Sousa

Os Outros Homens by Luísa Mota

Art in Quarantine — Carolina Pimenta

Music for the Weekend #011 — Spoiler Alert: Movi(e)ng Soundtracks

Art in Quarantine — Marisa Benjamim

Art in Quarantine — Valérian Goalec

Formula for Fantasy | An Interview with James Richards

The Opening Response: Rafał Pierzyński

5 Cultural Suggestions — Wasted Rita

Art in Quarantine — Sara & André

Music for the Weekend #010 — Night Boat to Cairo

Art in Quarantine — Francisca Aires Mateus

Evgenia Emets – Eternal Forest

From the outskirts one can see the city – Catarina Botelho at the Pavilhão Branco

UmbigoLAB Call

A story interrupts the night – Pedro Valdez Cardoso at the Appleton [box]

5 Cultural Suggestions — Vera Appleton

Art in Quarantine — Andrés Galeano

Music for the Weekend #009 — Play it Again, Sam – Yacht μ-zique (the advent of Jazz-Rock)

Art in Quarantine — Steven Day

The Opening Response: Divine Southgate-Smith

Art in Quarantine — Colin Ginks

Mesa dos Sonhos: Duas coleções de arte contemporânea

The art in a state of calamity | Interview with Fernando Santos

5 Cultural Suggestions — Vera Mota

Art in Quarantine — Manuel Fonseca

The Opening Response: Eike Eplik

1 nova, 2 nem tanto, by José Pedro Croft

Art in Quarantine — Ana Fonseca

maat is reopening

5 Cultural Suggestions — James Steele

Art in Quarantine — Rui Effe

Music for the Weekend #008 — Oi Jair cai na real que esse Brasil aí é de todos “nóis”

Art in Quarantine — Pedro Sequeira

Once in a Life Time #onceinalifetime_artrandom

The Opening Response: Vladimir Bjeličić

Art in Quarantine — Clintel Steed

Interview with Pauline Foessel – Underdogs

De noite vivem estrelas, cintilantes!, by Luís Silveirinha

5 Cultural Suggestions — Miguel von Hafe Pérez

Mutações. The Last Poet by Joana Escoval, at Museu Coleção Berardo

Art in Quarantine — João Henriques

Music for the Weekend #007 — Don’t judge a book by its Cover

Art in Quarantine — Hugo Brazão

The Opening Response: Rä di Martino

UMBIGO / THE CAVE PHOTOGRAPHY — #8

5 Cultural Suggestions — Emily Wardill

5 Cultural Suggestions — Namalimba Coelho

Art in Quarantine — Musa paradisiaca

Art in Quarantine — Teresa Carepo

The Opening Response: Arseny Zhilyaev

Interview with Diogo Bolota: Between The Defect and the Neglect

UMBIGO / THE CAVE PHOTOGRAPHY — #7

Sharp View — Salvador Francisco

Anuário 19

5 Cultural Suggestions — Andreia Santana

5 Cultural Suggestions — Luiza Teixeira de Freitas

Art in Quarantine — Inês Teles

Music for the Weekend #006 — Highly Dub(IO)us

Art in Quarantine — Diogo Costa

The Opening Response: Ben Olsen

UMBIGO / THE CAVE PHOTOGRAPHY — #6

MNAC’s diary on lockdown

Homemade Design — Teresa Milheiro

5 Cultural Suggestions — Luísa Salvador

4th week of BoCA Online

5 Cultural Suggestions — Ana Anacleto

Art in Quarantine — Primeira Desordem

Music for the Weekend #005 — Chama do Triunfo

Art in Quarantine — Rita Gaspar Vieira

Interview: Alvaro Urbano

Semente Exterminadora, by Pedro Neves Marques

The Opening Response: Ana Montiel

Monitor’s Viewing Room

UMBIGO / THE CAVE PHOTOGRAPHY — #4

Sharp View — Tiago Ferreira and Maria Rita

An interview with Joshua Gordon

5 Cultural Suggestions — Luísa Especial

Art in Quarantine — Eduarda Rosa

Music for the Weekend #004 — Vocoder

Art in Quarantine — Vasco Barata

On Labor Day we remember the Trabalho Capital Exhibition

Fundação D. Luís I online programme

The Opening Response: The Cool Couple

UMBIGO / THE CAVE PHOTOGRAPHY — #4

TreeToo Manifesto – Amelie Eise interviews Etienne Verbist

5 Cultural Suggestions — Salomé Lamas

Back to the 1990s with Matt Keegan

Art in Quarantine — Fábio Colaço

Music for the Weekend #003 — Tique Taque

Art in Quarantine — Marta Sampaio Soares

Vila Franca de Xira 2020 Photography Biennial Open Competition

The Opening Response: Cinga Samson

Umbigo #72 – EN (free download)

UMBIGO / THE CAVE PHOTOGRAPHY — #3

Sharp View — Cristiana Morais

Arthur Jafa in Serralves

SOS ARTE PT and Portugal #EntraEmCena – two new movements to support culture

5 Cultural Suggestions — Duarte Sequeira

maat Mode: a new museum

5 Cultural Suggestions — Helena Mendes Pereira

Arte in Quarantine — Bárbara Bulhão

Music for the Weekend #002 — All that Jazz

Art in Quarantine — Pedro Tudela

The Opening Response: Jay Scheib

The Opening Response: Kasya Denisevich

UMBIGO / THE CAVE PHOTOGRAPHY — #2

Errata, by Nuno Moreira

Amor-Próprio by Ana Vidigal

Homemade Design — Nininha Guimarães dos Santos

5 Cultural Suggestions — Henrique Pavão

5 Cultural Suggestions — António Olaio

What is the Thing, What is It, by Sara Bichão

Art in Quarantine — Vitor Serrano

Music for the Weekend #001 — Quarentita

Art in Quarantine — Nuno Sousa Vieira

Epigramas by Isabel Madureira Andrade at the Museu Arpad Szenes-Vieira da Silva

The Opening Response: Valerian Goalec

The Opening Response: Slavs and Tatars

UMBIGO / THE CAVE PHOTOGRAPHY — #1

You are seeing things, Barbara Wagner and Benjamin de Burca at the Galeria da Boavista

Homemade Design — Joana Mieiro

5 Cultural Suggestions — Diana Policarpo

Salomé Lamas online at Kubikgallery

5 Cultural Suggestions — Matteo Consonni

Art in Quarantine — Cristina Ataíde

Art in Quarantine — Francisco Correia

The Opening Response: Vincenzo Estremo

Coronavirus and art; Art Basel online viewing rooms; Julian Opie (virtually) at the Museu Colecção Berardo

5 Cultural Suggestions — Francisco Pinheiro

Homemade Design — Inês Nunes

5 Cultural Suggestions — Tomás Cunha Ferreira

25 years of Pedro Gomes at the MNAC

Art in Quarantine — Nuno Nunes-Ferreira

Art in Quarantine — Ana Vidigal

The Opening Response: Gavin Gamboa

A floating author in a floating island

5 Cultural Suggestions — Susana Mendes Silva

5 Cultural Suggestions — Marilá Dardot

House, by Uri Aran

Art in Quarantine — Pedro Valdez Cardoso

Túlia Saldanha and Rosemarie Castoro: the uncomfortable invisibility

Umbigo #71 – EN (free download)

Clarity

Hugo Cantegrel’s JUST BEFORE WE BEGIN at Foco Gallery

Maria Mergulhão, Messages in a Bottle at the Museu Municipal de Faro

With a Hand full of Dust, by Rita Gaspar Vieira

Tim Walker, Wonderful Things, at the Victoria & Albert Museum, London

The Moustache Hidden in the Beard: The Heart and the Lungs, by Francisco Tropa

Armanda Duarte and Elisa Montessori, Um lugar desenhado pela passagem do corpo

Aurora: Desenhos e outros materiais, by Pedro A. H. Paixão

Restless, yet accurate

Things Founded in Silence

Lusofolia: A Beleza Insensata

Constellations II, or how to contaminate a collection, at Museu Coleção Berardo

Eye-vo-re, Mariana Barrote at Sala 117

ART PARIS | Southern Stars | Carolina Grau Interview

Dora Maar, at the Tate Modern, London

A Cultural Interpretation of Stone Part II

Fruta Feia by Nuno Henrique

JUSTMAD 2020

Mode of Use, by Claire de Santa Coloma

Solilóquio, Mariana Gomes at the Cristina Guerra Contemporary Art

Umbigo @ ARCOmadrid 2020

Mares sem Tempo, an exhibition of the “Gulbenkian Itinerante” programme, at the Palácio da Galeria/Museu Municipal de Tavira

Hangover + be part of chaos, by Carla Filipe, at the Galeria Francisco Fino

Vivian Suter, at the Camden Arts Centre

The Cave Photography | A contemporary photography archive

Metamorphosis and Purpose in Objects Recognized in Flashes

Stephen Kaltenbach, The Beginning and The End

Furnace Voyage in Petrol Gardens The Space Conductors Are Among Us – Part 1, at P/////AKT

Antes do início e depois do fim by Júlio Pomar and Hugo Canoilas at Atelier Museu Júlio Pomar

Not Down in any Map

No.One.Gives.A.Mosquito’s. Ass.About.Trabalho.De.Preto

Rural Topographies

Art on Display. Formas de expor 1949-69 at the Calouste Gulbenkian Museum, in Lisbon

Mel da Senhora do Labirinto, by André Sier

The Line in Flames at Casa da Cerca

Délio Jasse and Carlos Noronha Feio – Zero/zero

Sara & André and Arlindo Silva at Appleton’s box

Álvaro Siza: in/discipline at Serralves

Sonae Media Art 2019: Francisca Aires Mateus

Sonae Media Art 2019: Diogo Tudela

Sonae Media Art 2019: Rudolfo Quintas

Nature according to Jorge Santos, at Abreu Advogados

Sonae Media Art 2019: Colective Tiago Martins, João Correia and Sérgio Rebelo

Dreamers never learn (tidal), by Vasco Barata, at MAAT

Ao descer a escada há um degrau p’ra me sentar.

Sonae Media Art 2019: Berru Collective

COSMO/POLÍTICA #5: Comunidades Provisórias

Christian Boltanski’s total work at the Centre Pompidou

Volta ao Mundo, by José de Guimarães

Ana Pérez-Quiroga, ¿De que casa eres? Los Niños de Rusia. Episodios de un cotidiano #2

Exúvia by Filipe Cortez, at Galeria Acervo in Lisbon

Changing Perspective: Daniel Steegmann Mangrané at Pirelli HangarBicocca

(Still) Modern Discomfort, by Miguel Palma

Alto Nível Baixo, at Galeria Zé dos Bois

Parasita, by Rita Ferreira, at Travessa da Ermida

I International Biennial of Contemporary Jewellery

Form and Volume, a museum of contemporary sculpture at Cristina Guerra Contemporary Art

O Fio Invisível: Arte Contemporânea Portugal – Macau | China

Middle Finger Pedestrians, by Gonçalo Preto

Mirror, by Rui Sanches

Blind Sun, by Elisa Strinna

Bacon en toutes lettres, the last two decades of his work, at the Centre Georges Pompidou

Public and private collectionism of contemporary art – The contemporary art collection of the Fundação PLMJ

São Bento opens its doors to Art

Tobias Rehberger, And the Rest should be squandered, Galeria Pedro Cera

Feeling Blue, at Galeria Espaço Real

Nous les Arbres, Fondation Cartier pour l’art contemporain

To see and be seen: The Dancing Followers by Luís Lázaro Matos

Double Exposure – Fernando Guerra, the man and the work

Aparelho – A Conversation with Tales Frey

The art markets and the Global South – A mirage or a turning point?

Momentum – Inshadow Festival

A Way of Walking, by Sérgio Carronha, at Monitor Lisbon Gallery.

Anozero’19 Bienal de Coimbra A Terceira Margem

Public and private contemporary art collectionism, at Auditório PLMJ

Miami Art Week 2019

Anima Vectorias, by Angela Bulloch

Your Money and Your Life, by Claire Fontaine

Casa São Roque – Centro de Arte

NA

Starting Point, by Nelson Leirner

Actresses. Creators – Decentralization

MADEIRADiG

Hugo Olim at Ilhéstico

Interviewing the directors of Lisbon Art Weekend

Renate Graf, from thoughts to image

Rural Artistic Residency in Armenia

Portuguese Emerging Art 2019

The Green Years

Serendipity or the art of reading the signs, at Galeria Francisco Fino

A meeting with Portuguese curator Sílvia Guerra at the Paris art fair, FIAC

Bad Behaviuouor by Adriana Proganó, at Galeria da Boavista

Main Entrance. Quinta do Monte (1983-88) by Lourdes Castro

Interviewing Ilaria Bonacossa, Director of Artissima Art Fair

Ilhéstico, 30 years of Porta 33 | Part II

Loving as the Road Begins, by João Pedro Vale and Nuno Alexandre Ferreira

Nora Turato – someone ought to tell you what it’s really all about

Kate Newby and Anna Schachinger at the gallery Madragoa

Reopening of The Museum of Modern Art (MoMa) in New York

Papendrecht by Guido van der Werve at Monitor

Bergen Assembly 2019

Me, Myself and the Others, by Nuno Sousa Vieira

Loulé Design Lab | Loulé Criativo

Cabra Cega, at the Balcony Contemporary Art Gallery

Up Till Here

A Sonic Youth

Porto Design Biennale 2019

UMBIGO at Drawing Room Lisbon 2019

Pires Vieira. Trash – Lixo de Artista

The 2D and 3D Epidemic versus The Eruption of Events

Ilhéstico, 30 years of Porta 33

Physics of Portuguese Heritage. Architecture and Memory, a liquid, solid and gaseous equation

In Conversation with Róisín Murphy

(Português) “Lisboa sem Centro”, a visitar no Open House Lisboa a 21 e 22 de setembro

Prize-Competition Young Art Millennium bcp 2019

Francisco Osório: 3 Fragments

10th edition of Bairro das Artes: This is not the end

Cristina Guerra

Interview with José Taborda

A Moment Apart, by Vasco Araújo

Union Jacking. Voice of the Voice£ess, Yonamine at Cristina Guerra Contemporary Art gallery

On light by shadow: Ater, at Salgadeiras Gallery

Visionary Writing, the celebration of the life and work of Antonio Lopez

Délio Jasse reveals the hidden side of photography

Kraczevo – Anne Lefebvre at ZDB, in conversation with Sérgio Mah and Natxo Checa

The archer has turned into a mime – in Ana Vidigal’s installation Bela e Má

Parting with the Bonus of Youth – Maumaus as object

Servitudes – Circuits (Interpassivities), by Jesper Just

Jimmie Durham: Do you say I’m lying?

(Português) Amanhã não há arte, de Carla Filipe

Master Baker, by Ana Fonseca

Quantum Creole, by Filipa César

Umbigo at the 8th edition of N’GOLÁ

Voyage to the Beginning and Back

The art scene in Santiago de Chile, by Thiago Verardi

We Didn´t Mean To Break It (But It’s Ok We Can Fix It), at Pedro Cera gallery

Às Nove a Caminho, by Sara Mealha

A building in Braga

Please (do not) touch, by Inês Norton

AWDIˈTƆRJU, by Pedro Tudela

Contemporary jewellery in Portugal

Ana Vidigal + Hugo Brazão, at Galeria Diferença

A chuva cai ao contrário, by João Jacinto

Maia Contemporary Art Biennale 2019 – Import / Export and the urgency to properly look at the city

De Outros Espaços, at the Galeria Municipal do Porto

Man as Archipelago – Exhibition Fernando Lemos Designer

COSMO/POLÍTICA #4: Quando as Máquinas Param

Paulo Brighenti – Cascata

The dream of a future in fashion

Sway with me

Canhota, by Mariana Gomes

Diogo Ramalho’s Sarcastic Comedy

minha solidão sente-se acompanhada, by Manuel Costa Cabral

(Português) Hannah Arendt (2012), de Margarethe von Trotta

The issues of curatorship

(sunsight!)/(sunclipse!), by Carlos Noronha Feio

The >e(c(o of Pedro Tudela at Kubikgallery

The Unbalanced Land, by Adrián Balseca

Theatro Circo

On recurrences, by Ana Guedes

Portuguese representation at the PQ2019

Nocturno, by Sandra Cinto

Francisco Tropa, O Pirgo de Chaves

Espaço Real

Elastic Days, by J. Mascis – a dinosaur far from extinction

Fiction and Fabrication, at MAAT

A conversation with Ernesto Neto

Quatro Paredes de Água, by César Barrio

A Haven in the Azores and the EASTMAN

Satellites, by Márcio Vilela

UmbigoLAB @ JustLX 2019

Dalaba: Sol d’Exil, by Ângela Ferreira

Umbigo @ ARCOlisboa 2019

Libertas, de Vasco Araújo

João Onofre, Once in a Lifetime [Repeat]

Coruche Biennial 2019

Leonor Antunes, Portuguese participation at Venice Biennale

Susana Jacobetty, Portuguese winner of Absolut Creative Competition

Sindicato dos Pintores: Dialogues on painting

Interviewing Filipa Oliveira, curator of the 2019 Navigator Art on Paper Prize

Getting to know Philippe Vergne, the new director of the Serralves Museum

The shadow of the drawing and/or the drawing of the shadow

Rui Chafes, Desenho sem fim

Dois anos e meio

Interviewing Gabriel Abrantes – The doubts of Diamantino

Fauna, by André Romão

The architecture exhibition as an exercise on research

Geometrias I & II e outros objectos pictóricos 2009/2018, by Pires Vieira

FEA: a festival made by everyone to everyone

Arno Brandlhuber: architecture as argument

Wild at Heart

Yto Barrada, Moi Je suis la langue et vous êtes les dents

The Crystal Zoo

Blue Jasmine (2013), by Woody Allen

Anuário – A retrospective view of art in Porto

Sou Fujimoto | Primitive Domestic Future at the Museu do Oriente

(Português) Sobre o presunto e o vinho que não sabemos se Júlia teve no final dos dias

Natural Stories Museum

Muitas vezes marquei encontro comigo próprio no ponto zero

Lisbon Fashion Week in a plastic chair

(Português) O Homem que gostava de cidades deixou-nos

Linguistic Ground Zero, by João Louro

Filmica by Pat O Neill and Joana Pitta

Pauliana Valente Pimentel, A Vida é Feita de Likes

Vivarium Festival

Against Abstraction

Open Call Artists | FEA Lisbon

WAIT or envying the wild beasts

Além deste Solitário Carrossel, at Galeria 111

COSMO/POLÍTICA #3

Carlos Bunga

Umbigo @ ARCOmadrid 2019

Stray Gods | Deuses Extraviados at Galeria Graça Brandão

Gerry Bibby, Public

Fernando Lanhas vs Álvaro Lapa

The Flower and the Rubble

Escavar um Buraco

Rita GT or the significance of remembering/forgetting

Organic Machinery, by Diogo Evangelista

Take Ten, by Hugo Brazão

Tanel Veenre

Mãos Negativas, Gruta and Achados

Hunger (2008), by Steve McQueen

Corpo Fechado by Carlos Motta – revisiting the historical narrative

Eco | Echo based on a true story by Luís Paulo Costa

Ver com os olhos de um outro, by Louise Narbo, at Porto

The incommensurability of Purple

The 16th edition of the Photography Biennial of Vila Franca de Xira

(Português) Ponto

You gotta fight for your right to cry

15 Years of MADEIRADiG

Coletivo Casa Amarela

Maja Osojnik

Ana da Silva and Phew

Migrant Melancholy in Las Golondrinas by Maya Saravia at the Balcony Gallery

Astray (Prologue), by Caroline Mesquita

Returning to Arquipélago

A poem to guess in Rui Pinheiro’s Picos e Lombos

Luísa Cunha’s Mapa Mundi performance at Atelier-Museu Júlio Pomar

Al Cartio and Constance Ruth Howes from A to C

Around the sculpture: Pose and Variations. In the age of Rodin and his contemporaries

The Outcast manufacturers, by Andreia Santana

The triumph of art is to remember, even when erasing

Valter Ventura at Kubikgallery

(Português) Claire de Santa Coloma, Chuva

Resourceful men vs. Human resources

Dialogue #2: Pharmacy Museum X Bárbara Bulhão

Acheron by Ana Izabel Miranda Rodrigues and Polpa by José Taborda

I will conquer you by Sérgio Fernandes

Heavy Trip (2018), by Juuso Laatio and Jukka Vidgren

HSD (Hic Svnt Dracones), by Ana Morgadinho

Kader Attia, Roots also grow on concrete

Les Ateliers de Rennes – Wrap-Up

LUZAZUL – Public Program

Room with a view

Tadao Ando

Franz West

Dementi

Competition launched by Absolut for artists and designers

Materiais para fazer a cidade, by Pedro Sequeira

André Príncipe summons the “elephant in the room”

Quando somos 2 somos três. Sara Bichão/Manon Harrois.

The New Art Fest ’18

Ágora Club. Fórum do Futuro.

As Aventuras de Qualquer Coisa

Amour (2012), by Michael Haneke

Summer of 84: 80s horror at its best with punk rock references

Lluís Comín

All gates open with Can

Quel Amour!?

Maria Trabulo and the sea as an artistic and political territory

New brands at Sephora

Returning to the ecological consciousness of art, according to Tadashi Kawamata

OXE, by Francisco Baccaro

Music for beheadings and decapitations

I ▉▉▉▉, therefore I am.

(Português) João Penalva, Stanley

Moda Lisboa S/S 2019

on apartness:

Penumbra: textured shadow, coloured light, by Rashid Al Khalifa, at Saatchi Gallery

Menina, a short story by Konstantin Arnold

Inês Teles

First edition of Drawing Room Lisbon

Não é ainda o mar, in Gaia

Reflection and (dis)illusion: Exercício de Divisão by Marcius Galan

COSMO/POLÍTICA #2. Between abstraction and realism, a hypothesis of encounter

Matt Mullican, at the gallery Cristina Guerra Contemporary Art

Vitrine, by Jorge Santos

Poster – much better than Instagram

Reviewing the challenges of abstraction

My name is McQueen. Alexander McQueen.

KORU 6: a triennial of contemporary jewellery

Golden Dreams, by Sofia Castro, around the presence of the hollow in sculpture

Freedom dances barefoot

Open House Lisboa 2018 – Inhabiting an Ever-changing Lisbon

Holy Motors (2012), by Leos Carax

Lisboa Soa 2018

The 9th edition of Bairro das Artes

Vitrine, by Jorge Santos

Festival Exquisito, from 13 to 15 September

Medal of Cultural Merit for Maria da Graça Carmona e Costa

The Moor Legend, in Chaves

Musée d’Art Moderne, Departement des Aigles, by Marcel Broodthaers

Terror speaks Portuguese at the 12th edition of MOTELX

”Listening to the waters” in the works of the Schneider Collection and of Portuguese artists

Pedro Sequeira, a multi-artist

Prata da Casa

The conspiracy of shapes, at the Porto Cruise Terminal of Leixões

It’s blood, it’s universe

In the Mood for Love (2000), Wong Kar-Wai

Filipe Fonseca: a passion for tiles

Jorge Queiroz at ZdB

Anish Kapoor – the habitability of sculpture in Serralves

Apichatpong Weerasethakul, at the Núcleo de Arte da Oliva

Call to support art production by “la Caixa” Foundation

Sari Liimatta: a poetic figuration

what’s motherly about mom’s gallery?

In Carlos Nogueira, the landscape is presented as a transforming object

Call for curators by the “la Caixa” Foundation

Pan African Unity Mural: Ângela Ferreira on the intersectional experience of the African community

Two exhibitions at Gallery Belo-Galsterer

First edition of RPMM, in Porto

Spaceship, of Susumu Shingu

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Kadri Mälk

2018 Millenium BCP Young Art Award

Julião Sarmento and Pedro A. H. Paixão at CIAJG

Loveless (2017), by Andrey Zvyagintsev

History according to ecology

Exposição 289, an artistic manifestation

Art shatters Porto’s everyday life

8th Edition of Jardins Efémeros

Photography as a strategy for transformation of urban architecture

Teaching how to see through art. Discipline of Seeing, by Paula Clerman

The voice of silence

They wanted a new world and they named it desert

Repetition and Discovery: Sabotagem

Zéro de conduite: works from Serralves collection

Teatro do Mar and the foam of its days

Artclip Jorge Santos and Pedro Valdez Cardoso

Michael Biberstein does not guide the viewer’s eyes through his painting

Remain Alert and Have a Safe Day

Estudos do Labirinto

Death in Venice (1971), by Luchino Visconti

Wave-Particle HyperLightness, by Margarida Sardinha

Carlos Mensil

From the landscape to the gallery – natural and artificial phenomena

After the image and the word, the music

Open Work

Et Cetera Festival, in Faro

Azimute, by Pedro Vaz, at Galeria 111

She looks into me (and I look into myself)

The other dimension of art, after space and time. Scent.

Teatro Nacional D. Maria II cut by all sides, open by all corners

The construction of identity through art

Colours and soap

New cultural events in Évora

After JustLX 2018

One work at ARCOlisboa 2018

Largo Residências. How to balance the brain and the heart in an excel spreadsheet

Between borders: e se elas fossem para Moscou? (What if they went to Moscow?)

The cartographing hand. Hanns Schimansky in direct speech.

Filipe Cortez

ARCOlisboa 2018

Curatorship as an exercise of affections, according to Jaime Welsh

JustLX 2018, at Museu da Carris

Paterson (2016), by Jim Jarmusch

FEA Lisboa 2018

Manuel Casimiro at Espaço Camões of Livraria Sá da Costa

Encontra-me, Mato-te – Sara Bichão in Espaço Projecto of the Calouste Gulbenkian Museum – Modern Collection

The watchful eye of the Collector Pedro Cabrita Reis

Festival Aqui Acolá, at Ponta do Sol, Madeira

D. Valentim, the Peaceful

The Art’s mosaic

50 years of Art Brussels under the sun

GUCCI x Ignasi Monreal

Figures of lust, or an entire culture in an exhibition

Três linhas, um canto vezes quatro. E uma paisagem. [Three lines, a corner times four. And a landscape.] – Susanne S. D. Themlitz at Galeria Vera Cortês

Miguel Palma. A-Z

Such a wonderful idea, visiting the mountains

No Place Like Home, and the interpretative and creative limits of curating

Ah, it’s going to be a beautiful day!

Vibrações Centrífugas by Hector Zamora and Victor Gama

Appleton Square X+1

Pichi&Avo at Underdogs

Rehearsal for a Cartography: a hymn of resistance

Visiting the studio of Sérgio Fernandes

Exhibition Maré [Tide], at Galeria Filomena Soares

16 Pounds of R&B, of the Wild Cherries, is the missing piece in the rock’s puzzle

Lightness or Heaviness? Saraceno vs. Kundera

Once Upon a Time in America. Directed by Sergio Leone (1984)

Tanto Mar: Fluxos Transatlânticos pelo Design

Exhibition Locus19

”O Céu é um Grande Espaço” in Serralves. Exhibition of Arte Povera of Marisa Merz

Pulp Fashion

The life and death of public things

The God of Carnage descends to Trindade

Espetáculo / Poder / Mass Media – Antoni Muntadas in Cristina Guerra Contemporary Art

Tatiana Macedo at Culturgest Porto. Esgotaram-se os nomes para as tempestades

Jean-Claude Brisseau films at Espaço Nimas

Artifício Visceral, by Jack Mugler, at Casa Pau-Brasil

No meio do caminho tinha um osso, tinha um osso no meio do caminho – or the expeditionary adventure of Pedro Valdez Cardoso

Thank You Manel

Premiere “The Widow”

Lucia Massei: the poetics of color

Tribute Exhibition to Vico Magistretti

Sociedade Nacional de Belas Artes in black and white

Sweet Home Europa or the world’s seesaw by João Pedro Mamede

Tremor Festival 2018

Capital images

Premiere “The Box”

Brussels with Fernand Léger

Alípio Padilha – The initial day clean and whole*

Backstage of the 50th edition of Lisbon Fashion Week

Giacometti’s ordinariness

The Tapestries of Portalegre | The Water of S. Mamede

Premiere “The Head”

Artclip João Pedro Vale and Nuno Alexandre Ferreira

Black and White Porto

Simpósio – the one of Rita Gaspar Vieira at Appleton Square

Luxury at Your Feet

Premiere “The Chair”

Paulo Brighenti in Três Estações Noturnas, at the Baginski Gallery/Projects

Around tomorrow’s shelter in the exhibition «Unbuilt Memories» of Didier Fiúza Faustino

Portugal in Fashion’s capital

In the Feet of the World

Dissonant Counterpoint – Johanna M. Beyer by Diana Policarpo

I talk about Architecture from Portugal to you – #1

Artclip Uma Lulik

Planos de Luz, by Fernanda Fehér, at Casa Pau-Brasil

From the everyday to the extraordinary, with João Laia António Cachola’s collection

Do you speak jewelery? 20 years of Galeria Reverso

ARCOmadrid 2018

De A-a-A – Calpi & Camarao

London Update #2

Beuys – or the myth, still

Dripping, by Marta Sampaio Soares, at A Montanha

Preservation of the species in Olho Zoomórfico, by Mariana Silva

Ana Vidigal x Nuno Nunes-Ferreira

Urban Typography

Bela Silva: between ceramics, drawing and fashion

Range me Over

”Todas as Histórias”, by Vasco Araújo

”Nudez – uma Invariante”, by Pedro Morais

Rebuild, by Pedro Sousa Loureiro

Artclip Tiago Alexandre

FLORA

José Pedro Cortes at Galeria Francisco Fino

Congratulations Lux Frágil

An octopus called ateliermob – Tentacle 2

An octopus called ateliermob – Tentacle 1

Double Helping

New art gallery in Lisbon

Hospes hic bene manebis, hic summum bonum voluptas est*

Reviewing The New Art Fest 2017

2night

The abstract geographies of Charbel-joseph H. Boutros

Γεωγραφίες in art

I talk about Architecture from Portugal to you – Open Call

Flat 33

Talking with chef Vítor Hugo at Peixola

A Pause with Claire de Santa Coloma

Aqui – Ali, A Natureza e o Corpo Canadianos (Here – There, The Canadian Nature and Body)

The restlessness of being Vera Marmelo

10 Years of EMPTY CUBE

Elena Moreno: sin digerir

Portuguese architects awarded last week

Art that repairs (in direct speech)

Avenida Liberdade, by Tatiana Macedo

Fashion Revolution

Brazil and the world inside Assim Assado

MADEIRADiG 2017

Laraaji @ MADEIRADiG

NaN:Collider @ MADEIRADiG

The Necks @ MADEIRADiG

Greg Fox @ MADEIRADiG

Maja S. K. Ratkje @ MADEIRADiG

Spaces at Chiado 8

Lavanda

Portuguese Afrobeat or a form of hypnotism

London Update #1

Nina Fraser – Inner Natures

Portuguese footwear with attitude

Reviewing the canons of yesterday

A Partir do Surrealismo – At Millennium BCP Collection

Dimix Mission – a bridge between Lisbon and São Tomé

Living In – Patrick Depaus

Rui Valério at Galeria Kubik

Lehmann + Silva

GUCCI

Noiserv in conversation with Raquel André

OPEN-CALL Portuguese Emerging Art 2018

Vodafone Mexefest 2017

The Boat is Leaking. An exhibition in Venice.

PLMJ is nominated for the Corporate Art Awards

Comorience

Anozero Biennial | 2nd Edition | Coimbra

Sometimes Shade, Sometimes Light by Marie José Burki

Words and thoughts by Carmen Escudero

John Maus’ world is set free in Screen Memories

Swans – Baptism by Fire

Focus at FOCO: Pau Duro Coração Mole

Casa Modesta – Between what is Contemporary and Traditional

Intuition. An exhibition in Venice.

Pedro Valdez Cardoso

Gigi Mariani: the voice of metals

24k Shit

2nd Edition of POSTER

Tillmans X Ocean

Parcours Bijoux: PINAPARIS

Brazilian modernism in exhibition

doclisboa 2017 | Between the documental and the experimental

Artissima 2017

The several layers of Branca Cuvier

A Light in fashion

New gallery UMA LULIK_

Depois dos 40 no masculino

Carmen Amador

Arquiteturas Film Festival

Pitch Market

New Brands at Casa Pau-Brasil

Ceramics and drawing at Objectismo Gallery

Brave Lear – the tragedy and the monster

(Português) Brunch Electronik – In The Park | 1 de outubro

The Pitch Market 2017

Brunch Elektronic – In The Park | 24 September

Experimenta Design

12th Edition of Young Artists Awards from the EDP Foundation

Apaixonarte – The version 2.0 of being portuguese

Marathons (over the table) 23 and 24 September

Workshop Restart – The Creative Day

Das pequenas coisas [Of small things] – Complicity between Pomar and Cabrita Reis

Uncertain times in video

Chromatic Study for the Color Blue by Márcio Vilela

Documenta 14 Kassel – Kunststadt

8th edition of Bairro das Artes [Art District]

Cuban Posters of OSPAAAL 1960-1980, at ZDB

Queer Lisbon ❤ Queer Oporto

Materiais Diversos Festival

X-Ray of a Photographic Practice

Making sense of disperse assets

Azores Burning Summer 2017

Houses with History

Brunch Electronik – In The Park | 27 August

MADEIRADiG Festival

Waking Life

Festival Múltiplo

Bons Sons 2017

Brunch Electronik – In The Park | Lisbon

My Grandmother is More Beautiful than Yours

Exhibition “chão de orações”, by Daniel Vasconcelos Melim

P&B

FUSO 2017 – Video Art in the gardens and terraces of Lisbon

The Sweet and Shy Madonna

Carmona e Costa Foundation/AICA Prizes

Travassos – life is a simple mess

Festival NEOPOP

Exhibition “Coletiva de Fotografia de Autores Portugueses”, in Estarreja

The most controversial Fashion campaigns

Bons Sons ’17 – Shall we experience the village?

A love called Pink Millenial

Etcetera Art Music Festival

Jazz em Agosto

Summer Nights

The pain in the spirit of the eye

MOTELX 2017 – Welcome to Vinhais

There’s a new Scandal in town

Chinese Little Vases

The Biennial of Maia reaches its adulthood

X

Fernanda Fragateiro – Between Art and Architecture

Poor Billionaires

Jazz em Agosto – sharp those needles yet again

Jncquoi: a brand new concept in Lisbon.

Spirit Animal

Matiz

Two-sided mask

Sephora’s Summer Launch

Portfolio

Moondog Exhibition

Group Identity: Twenty-Three, Contemporary Jewelry from Iberian-America

Summer at Gulbenkian

Muro

Diorama by Tomaz Hipólito

Soundscape Factory

WTF ? ! ?

I was born on a short day of winter

An Atlas for the Banishment

Portugal em Flagrante

Absolute Duration

André Martins – finalist of the Sonae Media Art award

Penelope Curtis

Nuno Lacerda – finalist of the Sonae Media Art award

O Olhar da Sibila at Museu do Oriente

Rodrigo Gomes – finalist of the Sonae Media Art award

André Sier – finalist of the Sonae Media Art award

Label-Free

Artclip Utopia/Distopia at MAAT

Sofia Caetano – finalist of the Sonae Media Art award

Exhibition the Lisbon that could have been

Ramón Puig: thinking while doing, doing while thinking

Carpe Diem Art and Search

Artclip What I Am at MAAT

The new cycle in Gulbenkian Museum’s life

Newborn: brand new talents in the Portuguese jewelry design

Ana Hatherly Invented Herself

Mimata: the creative effort of Joana Mieiro

The More I Know People, the More I Love Wasted Rita

Artclip Order and Progress at MAAT